Source: Cashmoneys
Price: £15.99 (Supporter pack £7.19)
Where To Get It: Steam
Previous Reviews: Early Access

Let’s see here… Welcome back, Legend of… Kepers? Oh, Keepers, sorry, that was hard to pronounce. So, as you know, you’re here for your review meeting, in which we go over what you’ve learned, how you’ve improved, your general suitability as a procgen , your ability to show what dungeon keeping is like, the hassle, the danger, the awful marketing department, so on, so forth…

A little improvement, not much change? Ah, well, that’s to be expected, you were pretty polished the first time around, didn’t really have many complaints. You’re still nice and presentable, that’s quite the accessible look you have there, presenting yourself clearly, very understandable… We’re always fond of pixel art here at WelshCorp, especially hi-def pixel art, very nice look! You’re not all that musical, but not everyone has talent in that area, and you’re certainly suitable.

Now, let’s see, you still have three classes, each with their own skill tree, each with their own gimmick… The brute, the trapper (actually very good at ruining morale, that’s nice!), and the damage-over-time specialist (poor dear, she gets in so many fights, I’d consider her the hard mode, honestly…) The brute is, alas, still a little bro-ish, but we can’t help our little quirks sometimes.

Oh dear, that awful random party shuffle man is still in your department? Well, he adds a little tactical spice, but customer reports state that he’s really not popular with people. Well, at least he generally dies quickly.

Oooh, a little storytelling too as you progress through the seven two year stints of the game (week by week, with events?) Well, it’s only a small addition, but it’s a nice one, so you definitely score points there with us.

Well! I can see you’ve only improved slightly, Kepers… Keepers? Terribly sorry. Also, why is your first name not Legends, plural? It’s just your name? I’m nitpicking now, terrible habit of mine. Yes, you definitely pass muster among those players who’d like to explore the world of strategic and tactical rogue-sort-of-maybe-kind-of deals, and, of course, veterans of the field looking for a challenge!

So, since this is your final review session with us… Oh, you didn’t know? Well, our budget has been slashed, so we’re having to cut the fat, as it were. You’re lean, mean… Ahaha, well, we’ve replaced you with a cheaper employee. But you get a very nice severance package, why, it’s all of 120 gold!

WAIT, NOT THE TABLE! NOT THE FACE!

The Mad Welshman is accepting further produc- er, employees. He’s talking about games to review, not writers. Pay him lots if you want more writers.

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Source: Review Copy
Price: £32.99 (or £74.22 for this, Sophie DX, and Lydie and Suelle DX)
Where To Get It: Steam

Time limits. My ancient nemesis. Why, I haven’t seen you since… Come to think of it, I haven’t played an RPG with time limits since Recettear. Huh.

Anyway, before I go on, I will mention they’re quite generous unless you want to do aaaaall the sidequesting, but, can’t lie, I’ve been spoiled by the recent ones and feel like it’s antithetical to cute alchemist chill times.

Well, except maybe in Escha & Logy, what with the whole “World on the verge of ruin” dealio. Anyway, bitching over, time to talk about cute alchemist funtimes. Because, oh look, it’s still a quality series.

And this installment… Apart from the ones I haven’t played (most of the earlier ones), this is perhaps the saddest beginning. Little bird Firis, trapped in a stone cage, barred with an iron door.

I mean, the cage is actually a mining town, and she has a valued job because she can “hear” gathering points (ores is specifically what she was trained for), but… A cage all the same, and she wants to see the blue sky, feel the wind… The world outside, dagnabbit!

Well, obviously it’d be a short game if she didn’t find a way to leave, but… It’s an emotional beginning, all the same. And then, of course, it’s cute alchemist funtimes, with cute alchemist obsta-

Ah. Let’s talk a little about Flussheim. Flussheim is not my favourite place in Atelier Firis. In fact, it seems to serve almost solely as something to make the clock flow by. Long runs from objective to objective, a small mazelike portion of the map where I waste a day on average trying to get to the two shops there during their opening hours, and your first mass alchemy. Oh boy. I hope you were collecting ingredients despite feeling the time pressure, otherwise you’re going to be spending time gathering ingredients. 40 metals. 30 fuel. I forget the others, but in addition to the other quest item requirements, you can pretty much expect to be a pro at Ingots, and spend several days, probably around 20 or 30, just making this one thing.

This killed my buzz pretty quickly. Up to this point, I’d been happily gathering, getting new recipes, meeting new folks, chuckling as an old lady very obviously put us through the wringer with chores for the sake of putting us through the wringer (oh, you cunning old biddy), engaging with the turn based combat and making new friends to fight with, pretty much all of them useful in some fashion in the party, enjoying the aesthetic…

I didn’t check out during Flussheim’s final step. But god, I was tempted, and I think, honestly, this point in the game is going to be where people get put off from finishing. It’s a segment of the game that doesn’t respect your time. And what with the time pressure, it’s a frustrating, evil segment that brings the rest down.

The rest of the game is fine, and indeed, once you’ve gotten through the alchemy exam, the time limits go away, and it remains cute alchemist funtimes, with great music, well designed enemies, cool crafting with puzzle elements (Addition: Oh hi there, colourblind unfriendly ingredient colours!), interesting places… But I can’t say I’m fond of time constraints, however generous, and I’m even less fond of them after encountering Flussheim. And I’m also less fond of Atelier Firis.

In conclusion? Firis is one of the weaker entries I’ve encountered so far in the series.

Which is a shame, because otherwise, it’s a fun story.

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Source: Review Copy
Price: £32.99 (or £74.22 for the whole trilogy of Sophie, Firis, and Lydie and Suelle)
Where To Get It: Steam

Atelier Sophie, The Alchemist of the Mysterious Book, and indeed, the first in the Mysterious Trilogy of the Atelier series, starts off with a bang. In Lydie & Suelle, we had a missing mom, and trashdad. In Firis, we had the feeling of being a bird in a cage, needing to be free.

In Sophie, we encounter a talking alchemy book that has lost its memories. A very snarky talking book too.

Suffice to say, I like Plachta.

In any case, best to mention the gist of the Atelier games, as this’ll be the first posted of the two parts of the Mysterious Trilogy I haven’t covered: Cute alchemists go on adventures, relatively low stakes until suddenly it’s not, with a puzzle-like crafting system, turn based combat (this time, it varies), and a beautiful world filled with characterful people. By this point, they’d been at the Atelier games for 16 previous games, iterating and testing each time, so for the most part, they’ve got the formula polished (although they experiment to this day.) It’s fun stuff.

It’s also the first Atelier game I’ve played (I have yet to play most of the series) where the stakes introduce themselves pretty early, in the form of a pair of very sus folks. We’ll not go into details, but suffice to say, there’s heavy foreshadowing in the game, and I’m okay with this.

Aesthetically, well… It be an Atelier game. Cool tunes, great character designs, beautiful landscapes to pick flowers and mine from and murder punis in… I haven’t had a complaint yet in terms of aesthetics, and this is no different.

So… Mechanically? Storywise? Any particular problem segments? Not really. The game has some small bugs, but otherwise, it has an interesting take on the usual alchemy funtimes (Where you can improve your cauldron for better effect, rotating parts, that sort of funtime), locations are more limited, but you can revisit them quickly (for greater risk), combat’s very much about chaining things together, although this isn’t terribly difficult, and the game has no timer. Plot is, in fact, based on unlocking recipes, which does, on the one hand, mean you’re grinding things out, but you’re going to be grinding things out anyway, because holy shit, you’ll need those bombs and unis and other weapons of alchemic destruction.

But while, of this trilogy, Lydie & Suelle is my favourite, Sophie comes a close second. I’m enjoying my time with the cast, many of whom return in later games. Including Sophie herself.

As with any Atelier game, if you like cute alchemists, crafting, low stakes gameplay until the latter half of the game, and JRPG funtimes, then yes, Atelier Sophie is a good pick.

Look, cute alchemists doing cute alchemist things, only needing to save the world in the third act? This is extremely my jam. Gimme the Dusk Trilogy. Do it. I’ll do a Going Back on those too!

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Source: Cashmoneys
Price: £15.49 (OST £5.79)
Where To Get It: Steam
Previous Reviews: Early Access

So… Lodoss War. It’s a big, long (and cool) multimedia franchise, which is continuing to this day, with a fair few characters across the series, high drama, etcetera…

It’s somewhat important to point this out, because one of Deedlit’s failings here is that it fails to get me interested in any of it (as opposed to the rest.) If I were just playing the game, without context, I know that Deedlit is a high elf, in love with a guy called Parn, after their many adventures together. I know there’s a dark elf in here who’s been a common foe, although I forget the name. Karla is apparently sometimes a bad person, sometimes not, but a schemer?

This… Is basically the extent of what I’d know, only some of which is dealt with in the intro, and some of which I’d have to google. Honestly, some of it I still had to google.

So, uhhh…

Mechanically, it’s a metroidvania, in which you get new weapons, abilities, and the like, and use them to get to new places, meet new monsters, and bash their faces in, occasionally fighting bosses. It’s more fun than that, but a fair few of the tools in your toolbox are given to you before you even fight the first boss: A sylph, which allows you to ignore water element attacks and float when active, a salamander, who allows you to set things on fire and blow things up (and ignore fire element attacks), and a bow, which you use to cut ropes and hit buttons, bouncing off metal walls in short, puzzle like segments.

You get more than that, of course, but these three things comprise a big chunk of the gameplay. And yet, it feels kind of empty. Part of that is aesthetic. Since the place is one big castle, there’s not a whole lot of variation. Ah yes, the bit with lava in. The bit where the pretty water effects are (honestly, hovering over the water is a joy, visually.) It’s a bit flat, even if it’s gorgeously rendered. This isn’t to take away from the rest of the aesthetics, from the clear UX, the well done pixel art, the character and enemy designs, some of which are kinda creepy. Giant centipede content warning, folks. And the music isn’t bad, if a little limited.

But while, mechanically, it’s alright, and uses its element change mechanics to good effect, outside of that, there’s… Not a whole lot. It’s still a solid metroidvania, although the short playtime will turn some folks off (sod them), but… I still didn’t mesh with it, even at the end.

This just… Drained my enthusiasm, honestly. Or maybe I’m just already knackered right now.

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Source: Cashmoneys
Price: £12.49 (Soundtrack £5.99)
Where To Get It: Steam

I love the premise of this game: In a fate similar to The Neverending Story, the world has been unhappened. Reality has been forgotten. Except for one person, who is, on an endless loop, trying to remember how it all used to be, fighting through monster after monster, returning feature after feature.

It all melts away when you return to camp, but… You’ve still made a difference, even if it feels pointless. And it hits home, time and time again, that the world contains good and evil, and things in between. Narratively, this game works pretty damn well, with its mechanics tightly fitting to this idea that the more the world is remembered in some fashion, the brighter the possibility of bringing it all back becomes.

Gamewise? It’s honestly okay, a nice touch on the strategic roguelike, where the path is set, but what you put on that path is where the calculation comes in. You want room, for example, for villages, or features that heal. You can’t overuse them, because you need items and experience to face the boss of each area. But you can’t overuse those, because if the pressure gets too much, you might as well retreat and lose some of the resources you gained.

You’ve got time. Seemingly endless time. And the more time you spend, the more loops you go through, the more resources you can get, to improve the camp back home, giving you more memories of the outside world, more cards to slip into your limited deck that allows you to recreate a microcosm of the dark world you lived in, to become stronger… And the other two classes.

I like the three classes of this game, each has their own playstyle, their own focus, and I love it. The warrior, the first, is the most straightforward: Hit things, get equipment from them, get stronger, use crits, fuck shit up, rinse, repeat. There’s still variation in how you do it, builds you can play with, but it’s the simplest in terms of gameplay.

The thief and the necromancer, by contrast, ah, they’re not quite so simple. The thief only gets their items (except for village quest items) at the end/start of each loop, the camp. But their power, their levels, are determined by how many trophies you caught (IE – Monsters you killed.) It’s high risk, high reward, and the one I often push too far with. The necromancer, by contrast, well, they don’t fight themselves. You’re buffing your skelly boys with each equipment drop, with each skill you learn. And yes, each class has their own skillsets they can pick from on levelup, although it’s semirandom.

Once it’s boss time, though… Well, the bosses are no pushovers, so you have to feel like you’re properly prepared to face them. And you’re probably still going to get wrecked your first time or couple of times. Considering there’s three bosses, though? It’s all good, and you will be beating them multiple times.

Aesthetically? Omigod I love it so much. C64 style graphics, even down to the palette, dark, brooding tunes, it oozes aesthetic, is clear, and I fucking love it.

Yes, I definitely like this one, as it has many of the positive points I find in good indie games: Tight design, mechanics married to narrative, an interesting story, and it’s a game that can be played in smaller sessions, respecting your time. Yes, I like this indeed.

The Mad Welshman returns to his own loop, forgetting the past briefly so as to concentrate on the present, the future.

Nah, he’s having so much fun with the present and the past.

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