Source: Review Copy
Price: £43.99
Where To Get It: Steam

What is it with posthuman cult leaders and bad fashion sense? Yes, I know, if you’ve heard about The Surge or played it, you know that’s the least of your worries, but… It nags at me. Anyway, about the game.

So, let’s get the spoilers out of the way niiiice and early: Burke lived, and you find that out in the first area! Warren lived, and this is pretty heavily implied by the mysterious stranger you meet just outside the first area! Shit’s gone to hell, which is exactly what you’d expect for a sequel! There, we’re done. That wasn’t hard now, was it?

In any case, The Surge is a science-fiction… Deep sigh, because I hate saying this… Soulslike. You have checkpoints, which you return to when you die, minus what money you’ve earned. Combat is based upon pattern recognition, good dodging/parrying skills, and managing your stamina. The Surge even added its own touches, such as rewards increasing the longer you spend between returns to a checkpoint (an interesting risk/reward system, which I have not taken much advantage of because I’m a coward), and the ability to target specific limbs, something you need to do for specific rewards, such as a blueprint of the opponent’s exo-limb.

Oh, and the online functionality, which introduces revenge enemies (Enemies with more health who killed another player, but drop lots of resources if you kill them), tags, the occasional battery drop where a player died, that sort of fun stuff. You can play offline, but these additions do add a bit of spice.

Controller is recommended, because while the keyboard/mouse controls are okay, and remappable, parrying appears harder to do well in kb/m. Okay, base mechanical stuff done with, let’s get into what I like and don’t like.

Aesthetically, the game is good, and, if your rig can handle it, it can look beautiful. Some facets are a little confusing, such as targeting, or the very small “You can backstun this fool” prompt, but it, and the sound, are pretty good. Also, while the protagonist isn’t voiced, the others are pleasant to hear, fairly well acted, and it made my day to hear a proper South Wales accent in the game… It was tidy, you might say. Motion Blur as a default is… Annoying, to say the least, but having the amount of it as a slider, along with a couple of other effects? That’s a good move.

I’m also quite fond of the combat, being meaty, pretty well explained, and having a nice back and fore rhythm… Well, if you take the advice of timing your blows, rather than being a button masher like me. Still, I parry well, and I dodge okay, so I’m finding it pleasing to fight. Master one of these skills, and be at least okay with the other, or you’re going to have a hard time. Encouragement to use at least a partial set through partial and full set benefits is also a pleasing bit of incentivising styles of play, and that the first armour heals you a little when you finish off an enemy? That’s a good starter. There’s a few new weapon types, and, while I haven’t experimented with them much, they seem pretty cool, with nice tricks on the charge attacks.

I am, however, less fond of the levelling system. Not the actual levelling itself, which is reasonable, but the Core Power being tied to your level. It’s about ten, maybe fifteen levels until you can properly equip a full set, and it was a little annoying to have to grind up to my first full set.

I could go on for quite a bit about all the quality of life improvements, but, essentially, if you played The Surge 1, it’s an improvement in many respects, and, if you’re starting out with The Surge 2, well… Going back to The Surge 1 may be a little tougher, although the basics remain the same. It feels pretty good, exploring this new, more open world with its diverse locations, it feels good to fight, and I would recommend this, even as someone who got very tired of games taking elements from the Souls series pretty quickly.

The Mad Welshman remains pretty easy to make in the majority of games. And he looks good in an exosuit. Nanomachines, son!

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Source: Review Copy
Price: £18.49
Where To Get It: Steam

Children of Morta isn’t a game you progress in easily (unless you are good at ARPGs), but, even with not progressing as far as I’d like, there is… A lot to like about this one.

The general story is one you’ve heard before: Yada yada corruption, yada yada pilgrimage to holy sites to clean said corruption, yada yada monsters and bosses along the way. What makes this interesting, however, is that it’s also the ongoing story of The Bergsons, guardians of the land, who, despite having trained for generations, find themselves struggling, not only with their path to find and defeat the source of the corruption (hopefully for real this time), but also in bringing the family together in a time of crisis… A family that had, like many families, had its fair share of drama. Uncle Ben finds himself struggling with his own bitterness between him and Sheila. Kevin struggles with finding acceptance among his own family, because he wants to help, being a good Bergson.

They’re lives that make sense, even in this topsy turvy, high fantasy world of ancient evil, goblins, trolls… And while the gameplay is interesting indeed, I find myself just as impressed at how the narrative of the family tugs at the heartstrings. It helps that the narrator has a solid voice for fantasy narration, and that the soundtrack is… Melancholic, in its way. Peaceful when at home, tense when in the dungeon, but, at home, there is this sense of sadness hiding in the music.

Visually, the game is also solid. Although you only realise what certain dungeon features are once you’ve unlocked them, or encountered them for the first time, they’re easily identifiable, especially the ones that show up on the mini-map. Enemies, similarly, are interesting, and the pixel stylings are good.

And finally, we have the mechanics. As you might have guessed, this is the incremental sort of RPG, where upgrades and treasure gained are carried over, but in-dungeon items, for the most part, are not. Upgrades are unlocked as the game progresses, as are characters to play, and while everyone has some sort of dodge move, and quickly unlocks a damaging effect or upgrade to their abilities, each character has their own feel.

Kevin, for example, is an assassin, striking faster and faster the more his blows hit, but losing steam if there’s no-one nearby to kill, encouraging a rushdown style in which you’re looking for someone to fight. Kevin, after all, is not only trained, he has something to prove, as much to himself as his family. Meanwhile, Linda, the bard, is an archer, who can fire while moving, but does more damage, faster shots, if she’s still, raining death on her foes while needing to move away with the nastier enemies. In general terms, it feels somewhat like a twin-stick Diablo, complete with that “Ohshit, Runrunrun!” when an Elite or an ambush appears. But nobody dies, being saved on the brink of death to try, try again.

Children of Morta is definitely one I feel like coming back to, as individual runs are short, the story is charming and soulful, the aesthetic is good… It has a lot of character, and I would definitely recommend it to ARPG fans.

The Mad Welshman doesn’t root for nonspecific forces of evil. If you aren’t cackling wildly while giving away your secret plan, I’m not bothered.

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Source: Cashmoneys
Price: £11.39
Where To Get It: Steam

Sometimes, even games within a genre get hybridised, to interesting results. And so we come to Undermine, which mixes the room-based dungeons, secret rooms, keys, bombs, top down forced perspective, and bosses every X levels (3, in this case) of games like The Binding of Isaac, and the throwing weapon, jumping, and iterative play (including “Don’t lose as much gold next time” purchases) through a panoply of characters you really shouldn’t get attached to, of Rogue Legacy.

In Undermine, I am a peasant. I know my place. And my place is to go into a vast mine on the orders of my landowner, a wizard, and find what’s causing the earthquakes below his residence, or die trying. And then…

I am a peasant. I know my place. And my place is to go into a… You get the picture. But this peasant is slightly better equipped. Thankfully, my loyalty card with the local merchant carries over between runs, because it unlocks a character. Phew, thank goodness for Family Loyalty Programs.

The basic gameplay is pretty simple: In each run, you walk into a room, murder whatever’s in there by either hucking your pickaxe like a boomerang, smacking things with your pickaxe, or, if you’re feeling ballsy, dropping a bomb and hoping they blow up. Then you can leave the room, after smashing everything you can smash in it, collecting gold as you go. Occasionally, you’ll find a locked room, a chest, a powerup, or something behind rocks of some description, and you decide whether you want to spend the resources to open said obstacle.

Oh, and there are Mimics (with small signs that they are Mimics), and Cursed Chests (Which are incredibly obvious, so your main decision is “Do I want to risk curses like ‘The torches start tossing fireballs my way’ to get whatever’s in here?”) Such are the basics, not counting bosses, which are big long fights with gimmicks and patterns you will probably die to a lot of times before you get the hang of them.

Cool, that’s the basics… Except, there’s little touches to a lot of these that I quite like. Combat, for example, on top of pits and traps and whatnots, makes your jump super useful, overall. It’s a dodge. It allows you to leap over pits, either to lure enemies toward them to save effort, or to reach something you sort of need now rather than later. Fast travel is unlocked as soon as you find the map of the next area, and it’s honestly a charming presentation (A mysterious being puts you to sleep, then deposits you, safe and sound, in the area you choose. Said being must be a badass to do this.) And smashing gold?

Well, that lures the adorable, but also frustrating Pilfers, who deserve their own paragraph. Their weakness, in the monster tome, is “Gold.” They love it, and, as soon as you break open an ore chunk of some description, the gold comes flying out in various directions, and the pilfers ooze out randomly, looking to steal your rightful spoils. It has the potential to be really frustrating, except for two facts: Firstly, they take only one hit to reclaim your gold, and secondly, no other pilfer will touch it, because they are assigned to one piece of gold only, and if you take that gold, or bop the Pilfer? That piece of gold is safe, and the Pilfer runs off in disappointment.

Seriously though, they’re cute as heck, even if you bop them.

So, overall, Undermine is pretty fun. Its pixel art is good, its music is pleasant, and the game? Well, while not all areas of the game are done yet, and I’m certain fine tuning is being done as the devs go, it’s already quite playable, and enjoyable to boot. I would, as a sidenote, recommend mouse and keyboard with this game, as it gives you somewhat firmer control over where your pickaxe goes.

The Mad Welshman is against peasant labour practices. Peasants should have a basic minimum (livable) wage!

Filed under: Early Access Releases, Game Reviews by admin

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Source: Cashmoneys
Price: £15.49
Where To Get It: Steam

As soon as I saw the farm, messy and strewn with rocks and trees, I knew. Or thought I did. “Ohhh boy”, I thought “I’m going to get halfway through this, and my energy will be pretty low.” Nope. I thought “Fishing is going to be my main source of income, because it’s easy.” Not… Quite true.

Essentially, I went in with expectations of a farm-life/adventurer sim in the style of Rune Factory, or Stardew Valley, and, while it is that… It’s also got its own flavour. Some good, some not so good, but averaging out, I feel, to “A’ight.” Which, considering it’s in Early Access (and parts of the review may be out of date by tomorrow, since the devs are updating at a steady clip), still gives it a fair bit of wiggle room.

So, let’s begin with the general idea, for those new to the genre: You, an amnesiac hero(ine), are welcomed into a small, rural community (In this case, on an island, so beaches and palm trees are common), given a farm, and, very quickly, you realise there’s adventure to be had in them thar hills. Or, y’know, you could do a lot of avoiding enemies (running doesn’t take stamina? Don’t you dare change that, devs, it’s wonderful!) to mine stuff you can’t get at home, farming, doing quests for folks, festivals, minigames… And, of course, romancing folks.

I haven’t gotten to that part yet, so I can’t tell if there’s some Good Gay options in there, but it’s all there, it’s mostly enjoyable, and those who’ve played this genre before not only know what to expect, they have some pleasant surprises. Like underwater plants (Trust me, if you’re new to this genre: Folks love more things to farm) and a pet system (And pets can have utility both inside and outside of combat, such as the Draconewt you start with, whose watery breath isn’t just useful in combat… It’s a nice, easy way of watering your crops, too!)

Aesthetically, it’s pleasing, with good, lowish poly character designs, a bright and cheery world, and a mostly clear UX (It took a friend pointing it out during multiplayer that I could add to my pet’s stats, for example.) I didn’t really find the tunes memorable, but that’s more because they fit just fine, and things that fit just fine… Well, you only tend to notice what doesn’t fit so well, generally speaking. Speaking of not fitting so well… Complaints and niggles.

Starting with the base stuff, tutorialising for things like fishing is a bit sparse (It took me a few tries to get the hang of fishing, for example, not helped by… ohboy, a bigger fish just ate the smaller one on my hook, and now I’ve got a bigger fight ahead of me), and not all of the minigames are enjoyable. Smithing immediately comes to mind, a “Hit the coloured bits on the bar” game where said coloured bits are… Rather small. Melee is, honestly, not as useful as the ranged options, especially when it comes to, for example, the first boss, who electrifies himself. And it can be fiddly to pick things up, water, or plant things, since you aren’t fixed to the tiles it uses (Also, if a pet is nearby, you can easily end up leaping on to ride them rather than pick up the thing your pet is standing over, necessitating leading said pet away. Every time.)

Finally on the crit, there’s multiplayer. It’s a relatively recent addition, so I certainly don’t mind the bugs, knowing that the community is pretty good at reporting them, and the devs, as I’ve noted, update pretty rapidly at the present time. I don’t even mind the lack of any sort of pausing, because synced pausing is unfun for the other player, and any other method would be a bloody nightmare. But the method of starting a co-op session is poorly explained, requiring you to copy the host’s Steam ID (the numerical one the game gives you, not your profile name or account name), and then pasting that in to connect (3 players can join a host, sharing a farm, and… The sales bin. Which, considering myself and my multiplayer partner have yet to find a means of expanding this, isn’t the best of times.)

But this is still relatively early days, the game is pretty solid overall, and, even now, I would recommend this to fans of this genre wot Harvest Moon, Rune Factory, and Stardew Valley belong to, the… Farmer-Adventurer RPG Lifesim? Not quite sure. Anyway, it’s reasonable right now, and certainly shows promise.

The Mad Welshman actually quite likes the humble farmer-adventurer. Sure, they can be massive jerks, but they’re massive jerks who put food on his table.

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Source: Cashmoneys
Price: £11.39
Where To Get It: Steam
Other Reviews: Early Access

Last time I looked at Wayward Souls, at least a year ago now, I felt it was a game of no in between. It was soft, until it was very hard. It was hellishly dark, except for when it was brightly lit. Overall, it felt oddly arbitrary. Well, it’s been over a year, how does it shape up on release?

Not… Really. A lot of my criticisms remain completely unchanged. The dark levels are super dark, and then… Oh look, lots of brightness. Bosses remain, on the whole, easier than the actual enemy encounters, incremental abilities remain… Frankly unimpressive, and the procedural level design… Well, it appears to be using some pretty loose rules, which make the difficulty even more variable than it usually would be.

Sometimes, you will find the exit right away. And, apart from gathering coins, maybe some items, there’s no real reason you can’t just take those stairs, with most characters. And there is always a teleporter near the exit. Teleporters, as an aside, apparently work in some sort of sequence, perhaps discovery? But it’s not “select a place to go”, it’s the somewhat tedious “Teleport, nope, teleport, nope” until you hit the “Yep” you were aiming to go.

Which, considering teleporters can generate right next to each other, not just in the example given… Well, that makes it more annoying. Speaking of that, there can be big ol’ branches in the dungeons which… Don’t lead anywhere, or at least, don’t lead anywhere that’s useful to you. Oh, a healing fountain. Very close to… Two healing wells. After two fights I’d aced. Huh.Well, er… Thanks for having no confidence in me, level generation?

Each class, as you’d expect, has their own quirks, their own abilities. The mage is… Well, to call her a glass cannon is somewhat disingenuous. More a glass .22, if anything, because everything in her arsenal is either reliant on mana, or spell inventory. Whee. The rogue, meanwhile, has the backstabbing you’d expect, and a dodge that passes through enemies that… Honestly, seems too fiddly to do just right for the gains. Oh dear, you overshot, just a little? Enemy turns around. Of the four I’ve unlocked so far, Warrior has been, of course, the safest, vanilla bet, and the one I’ve gotten farthest with, but…

Overall, I feel like the buy in, in terms of skills, how long you play to get abilities, what you find in levels… It’s frustration versus reward, and, for me at least, frustration wins. The first area is dark and drab, and it’s going to be a lot of what you see for the first few hours of the game, and… It wears.

The Mad Welshman appreciates an adventurer’s life is a hard one. But he mostly plays games to get away from that.

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