Iratus: Lord of the Dead (Review)

Source: Review Copy
Price: £18.99 (£26.58 for Supporter Edition, £7.59 for upgrade to Supporter Edition)
Where to Get It: Steam

Other Reviews: Early Access Review

And so, the Dark Lord is finally out of the dungeon. Well, metaphorically. For the goal remains, in Iratus, to get your necromantic Dark Lord… Out of the dungeon. Which he had been trapped in, until some foolish adventurers opened his crypt and gave him some starting materials…

Screeeeaaaam.

Speaking of materials, goodness me, there’ve been some changes since last I played, and they do make the experience more challenging!

In any case, this is a turn based strategy game in which you, a very sarcastic Dark Lord (the best kind), have found yourself awakened once again, and you have to beat or frighten your way back up through the depths, to claim your right to conquer once more. Encounter by encounter, battle by battle, you earn resources to build up your army of the dead, maybe unlock more types, and balance for the encounters you see coming.

Now that is a welcome change. Because while frightening enemies to death (as opposed to shooting, stabbing, magicking, and bludgeoning them to death) is the path to the best rewards, risky as it is, there are some enemies, most notably the golems early on, who are not only immune to Stress damage, but can also redirect the stress damage they can’t take from others… Onto themselves. You really want a high damage build for these bastards, as they have a lot of armour too.

Obligatory “Big Rock Guy is a scary bastard” picture.

But there are other changes too, that make things more challenging. To pick one example, a common means of buffing your troops was to turn crap materials into less-crap materials. A strategy that is less do-able now, because the chances of better items coming out is minimal without some talent upgrades, but this is counterbalanced by the fact that new parts for your undead don’t buff specific stats… But give you more stat points to do with as you please.

I said before that the game is pretty clear, aesthetically speaking, and this is mostly true, but what I failed to mention last time is that, alas, there is no text scaling option. Beyond this, however, you know what’s what, the tooltips are fine, and the visuals, music, and voicework are all high quality. It really gets across this atmosphere of a dark world, a world which… Honestly, the villain could probably conquer in other ways, considering how there are slavers, beserkers, mad mages, dwarves gone bad… Well, Iratus does Iratus, I guess!

Although, y’know, a guy who poses like this? Prooobably a bit narcissistic. Either that, or taking a rocking selfie…

And what Iratus does, it does well: A turn based strategy game with a fair amount of depth, a good amount of polish, a protagonist with a bleak sense of humour, and some tense, challenging gameplay. Your minions are not that replaceable. Try not to get them killed a second time, eh?

The Mad Welshman likes to see a fellow villain go up in the world. Well, unless they’re encroaching on his areas, in which case, he likes to see them go down.

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Spellsword Cards: Dungeontop (Early Access Review 2)

Source: Review Copy
Price: £12.39
Where To Get It: Steam

Other Reviews: Early Access 1 Release Review

Rogues. We love them. Or hate them. It really depends on which party got backstabbed. And this is the latest addition to Spellsword Cards: Dungeon Top (Stop snickering!), a card based strategy game where the cards summoned are units, your hero is a unit too, and if your hero dies, you lose, good job, start over… And if their hero in a fight dies… Congrats, you won a fight.

Redirect Yo Momma Joke is a powerful and deadly spell.

And our old friend incremental unlocks, where winning gets you resources to get more stuff, which may help you win… So on. Aesthetically, it’s pretty nice, some dramatic, tense music, some cool painted faces for the assorted minions and hero(in)es, and…

Sigh. A menu UI that’s still small, with no scaling option. It’s been what, [insert time here], folks? Come on, I know your dungeon door is pretty, but you can make the menu options bigger than that.

In any case, play still revolves around a deck themed around the Hero/Faction dichotomy, where some cards are unique, others are general, and the themes are obvious. The Karim remain the faction which eats itself for power, sacrificing minions to make the few glorious murderbastards. Helm, meanwhile, has the philosophy of “Build ’em up slow, take the enemy down.” And the Warrior, Mage, and Rogue? Well, they stab hard, throw spells, and sneakily take down the enemy, respectively.

Have a big wall of “The enemy is very boned.”

Okay, the rogue, being a new addition, needs a little more detail: His weapons come in melee and ranged flavours, but if you can get throwing knives (giving you multistrike at higher levels), go for them, and build around them. Because knockback is a thing, and knockback damage is a thing, the rogue can do well as a ranged murderer supreme, mainly needing his minions as meatshields. Or they can go all out on certain spells, and get through a fair few fights making the minions or the boss hit each other (and get free attacks from your own units.) They fight quick, and they fight decisively, one way or the other.

You will fail at first. It’s one of those games. But from each battle, you learn an enemy’s (pretty fixed) patterns. You learn how to beat them. In a way, it’s more of a puzzle game than a strategy one, although the random element does make it more “Hrm, of these five cards, which three of these do I apply to most effectively murder this giant golem that runs pretty quickly, attacks all units around it once every two turns, and will murder even my strongest warriors without too much hassle (and me with only slightly less)?”

Because yes, you have limited amounts of cards you can play in a turn, although some level up choices can make that more reasonable, as can some treasures.

Each character now has their own dialogue for the invidual chapters. It’s a little touch. But a nice touch.

How does it feel? Well, it feels much the same as when I last reviewed it: It’s an interesting game, it’s got a good aesthetic, it still needs to make those menu options bigger, and with a new area of the game added to boot, it’s got its rough difficulty curve laid out. It also has a draft option, allowing you to build a specific deck, seeds, and adding threat, so… Overall, it’s looking pretty promising!

Hi devs. Decent size on them main menu buttons, ta. Right now, it’s my only crit.

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Meteorfall: Krumit’s Tale (Early Access Review 2)

Source: Review Copy
Price: £10.29 (£11.14 for game and soundtrack, £2.09 for Soundtrack)
Where To Get It: Steam

Other Reviews: Early Access 1 , Release Review

Note: This review was written using the optional beta, allowing early early access to features not yet complete. Like the fourth character.

They’re available now, but look, I’m impatient.

Last time I looked at Meteorfall, I appreciated a lot about it. The subtle depth of the deckbuilding, the encouragement to do more with less, and its fun, cartoony aesthetic and character. Oh, and adventurers being represented as characterful assholes too. Oh, Bruno, you growling brute of a man, I still love how your approach to life is to SMASH it…

That is the face of someone extremely smug they did this.

But now… Well, there’s two more characters, two more playstyles… And I’m enjoying them both. Mischief (the one that, at the time of writing, is available on the main branch of the game) is a rogue. Dextrous, stealthy until she attacks… And so, so smug. Thing is, she’s even more of a glass cannon than Greybeard, and, out of stealth… Well, she’s a bit crap without buffing. She relies upon it. Think of her as a hard mode, where you’re milking your resources to their limit.

Muldorf, meanwhile, is a jolly necromancer, and, while his skeletons take health to summon (mostly), and are not, in and of themselves, all that strong (mostly), they can still kill a couple of low level enemies without dying, and can be buffed by various means. This also means that, if you play your cards right, you’re rarely without four cards in your inventory, and his base weapons lifestealing or summoning enemies on killing others means that, if you get a chain going, you’re going to be a tough old coot. Even if you can’t heal normally.

Spooky Scary Skeletons, They Block Me From My Death…

What else has changed? Well, not a whole lot, if we’re talking about core elements. More items, abilities and perks have been added, and not just because there are two new characters with their own level rewards, but the core loop of “Beat all enemies and win, the more tiles still in play, the more bonus points you get to buy cool shit so you can discard some of your own shit, manage your resources well, and get abilities” is unchanged, the emphasis and encouragement of managing your limited resources effectively hasn’t changed, and the sarcastic, sometimes grim humour hasn’t changed either.

So, it’s still recommended as a card-based roguelike, it’s still promising… It’s just there’s more of it. Without drastic changes, I expect I’ll see you all at the release review, which will most likely read “Yup, it’s still good!”

I wouldn’t really call myself a Vaudedude, but hey, Muldorf the Necrodude does Muldorf, and I respect that.

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Ancient Enemy (Review)

Source: Cashmoneys
Price: £11.39
Where To Get It: Steam

I have not, perhaps, had the best of histories with solitaire RPG type experiences. I’ve always found them at least okay, within the limitations of the kind of solitaire they invariably use (go up and down the numbers, as far as you can, using abilities to help with this.) But they’ve never really grabbed me.

That’s a big faerie. That’s a big faerie…

With Ancient Enemy, I was at area 7 before I really thought about whether I was enjoying myself. And, on reflection? In a calculating, analytical way, I was. The solitaire part was okay, as solitaire often is (although we’ll get back to that), and the story was… In a way, interesting in how it uses minimalism, but the combat… Ah, the combat is where I felt at home, and looking at the layout with an eagle eye.

You see, it’s not just the combos you have to think about. The combos are important, yes, and getting nice, long ones definitely has its benefits, like a lot of extra damage if you play your cards right (heh), but the suit of the card is quite important, and there are other things to think about. Because the suit of the card charges your abilities, in Basic Attack (A dagger), Magic (Your major damage output, since you are, after all, a mage), and Defense (Which, with only a few exceptions, is physical or magical. There is at least one magic and physics block, but it relies on long combos, because its basic form is weak.)

Gah, look at the shoddy craftsmanship here, my mother could stitch better than that!

And also, when the layout’s low, you may have to waste an action refreshing. Which, if you time it wrong, lets the enemy get off a free hit on your sorry ass. Since items take a turn, and, similarly, you don’t want to waste a combo when it appears, it creates this interesting back and forth. It’s one I’ve mostly won, up to this point, and handily so on Normal (not a bad thing, I enjoy games that want me to see the content, then optionally let me challenge myself), but it’s also one where, if you don’t pay attention and equip accordingly for your enemy, you’re going to get damaged, and health only heals, with a few exceptions, after the chapter’s done.

…Oh gods, sometimes you don’t want to equip, because damn that layout refreshes after you equip, and this one is such a sweet start! Special cards that damage, sometimes big ones. Others that raise your defense without needing to block. Wyrm cards, the wild cards of the game that let you, in the right circumstances, stretch out some really nice combos… When I see a good layout, I’m really tempted to let it play out, sod the resistances and the fact I can’t block any of their attacks…

It helps that there are also passive and active abilities that you can switch in and out between fights and item collecting layouts that help with that, like card destroyers, upping the likelihood of Wyrm Cards or giving you extra undos, changing a card to fit the combo better, or shuffling the entire deck to the same goal… I liked using those abilities, even if they’re usable once per layout, with the exception of finding recharge totem cards.

Ohhh boy… That chained card needs to be dealt with twice. But hey, 30 cards in my deck, I got this!

So, mechanically, I quite enjoyed it. What about the rest? Well, aesthetically, it’s clear. It sort of has to be, and the tooltips are alright. You know what’s what, the characters and enemies look good (Although I wish there was a little more variation outside all monster types you’ve encountered getting beefier, and occasionally more powerful), the environments are lovely, and the music’s alright. The writing… Well, it’s effectively monologues. Why? Because The Mage pulled himself out of… Well, it’s unknown at the start, but he returned to life and the land… To find that the Evil Overlord had won. The land was sick, everyone was dead or corrupted, including spirits and animals. Killing the source probably won’t make things much better… But he’s determined not to fail this time.

I’ve… Enjoyed myself with this one. The difficulty curve is pretty reasonable, everywhere outside the item collecting, you start to feel powerful once you get going, and even in item collecting, you have recourse. Score chaser that I am (especially since that’s also currency), I still retried, but less times than I have with others, and… Yeah, if the idea of solitaire RPGs interests you, I would definitely say give this one a go.

The Mad Welshman is more a Minesweeper kinda guy these days. Shush, he’s not bad at either of them, shush, SHUSH.

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Langrisser 1 & 2 (Review)

Source: Review Copy
Price: £49.99 (Assorted DLC comes to £41.96)
Where To Get It: Steam

The bandits were raiding the village, and my two heroes had things well in hand. Well, except when the next wave of bandits appeared, and… One was really close to a set of villagers, villagers I was meant to be protecting. So, some of this peaceful village died, died because I was too slow. And then some more died… Because they ran headlong into the two barbarian heroes I was trying to kill. I still won the day, but I wondered… Could I have done things differently? Could I have saved everyone?

We didn’t manage to save everyone. But we progressed. And our friend managed to rejoin us.

Well, theoretically, yes. In practice… Welcome to the Langrisser games, turn based strategy RPGs where you can muddle through, but perfection requires pinpoint precision.

And do you know, I quite like it. At least partly because it’s of the more black and white SRPG type, where you fail, because your heroes were killed… Or you win. This, I appreciate.

In any case, Langrisser is one of those fantasy worlds where the story will seem quite familiar to players of this sort of game: King gets murdered, or other horrible thing happens, the protagonist and their friend(s) escape, they defeat evils on their way to returning home to retake it, but wait, a greater evil arises in the second or third act, and…

Ledin is the one on the left. Just to clarify.

It still works surprisingly well. In fact, this pair of remakes of a now almost 30 year old franchise is a pretty solid one, with simple core mechanics (Infantry beats spears, Spears beat Cavalry, Cavalry beats Infantry, your mercs work better inside your commander’s command radius, they heal when they end their turn directly adjacent to you, and killing commanders removes their mercs from the field too, bish, bash, bosh, there’s your basic primer on everything Langrisser), solid combat, an interesting system where your character’s class can change the way they play a fair bit, and, of course, some nice aesthetics, with good music, clear tiles, workable and slightly charming battle animations, and plot divergences.

Basically, it ain’t bad, and with twelve hours average on a run of Langrisser I (for lo, there is a New Game+ on both games), there’s a lot of playtime to be had…

Battles follow a format that would later be popularly associated with the Advance Wars series.

At least some of which is due to unskippable combat animations, and individual movement animations even if you automate. Personally, I don’t mind it, mainly because I prefer manual movement myself. But I can see how that would be a turnoff.

Still, I’ve enjoyed my time with Langrisser, and I expect to enjoy more time with it. It doesn’t overcomplicate things, its characters charm, its aesthetics please, and… It’s something where I know where I stand. Because it lets me know clearly. And I appreciate something that does that.

The Mad Welshman is off to… Ahaha, not save the kingdom! Conquer it! Big difference!

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