Source: Cashmoneys
Price: £10.99
Where To Get It: Steam, Google Play (Android Ver), App Store (iOS Ver)
Other Reviews: Early Access

When I last reviewed Siralim 2, during Early Access, I said the words “Well crafted Skinner Box.” This is, essentially, still true. It’s slow paced, there’s a lot of walking around and doing the same things over and over, there’s a lot of collecting things and clearing out levels as completely as possible… And it’s fairly enjoyable.

Even the deities are pretty relaxed about things. “Hey, let’s maybe fight when we’re both in the mood, eh?”

More to the point, it’s a game where the challenge is what you want it to be. At the time of this review, I’m just sitting back and going over earlier levels, rather than progressing the plot, because right now? I just want to collect things and see what they do. I want to breed new monsters to see what they’re like, and the plot of an over-arching threat from an upstart deity looking to conquer everything? Yeaaaaah, that can wait.

Siralim 2 is by no means an exciting game as a result. There’s no sense of urgency, no drama… And, in any game that was pretending to be anything but “Hey, build up your castle and do X things and kill/extract from monsters to get more things”, this would be a bad thing. In Siralim 2, it’s obviously what the design was around… It’s not a game you’re going to play for the story. It’s a game where you set what you want to do, and do it while idling the day away.

Me, casting a spell that I turned into a “Kill lots of things” button. 😛

And, in a sense, that makes it quite awkward to review. There’s lots of features, such as breeding monsters, crafting new weapons, quests from your castle’s inhabitants, cooking, summoning, spells, boss battles… But it all boils down to two things: Do you want something to play that’s relaxing, but not pushing you? Are you turned off by RPG-Maker style sprite graphics and interfaces? If respectively yes, and no, then bam, Siralim 2 is just fine. If no, and yes, then it’s not.

Balance? Balance only matters if you’re pushing forward at a reckless pace. If you’re just pushing forward, pushing forward, pushing forward, then yes, the game gets tough quickly, and stays tough as you don’t quite level up along with the levels. You don’t get as friendly with the deities. You don’t get all the cool stuff. There’s lots of types of Realm, but they boil down to the same types of things (Get X things to give to Y folks, for example), and once you know what a Realm’s tricks and quests are, there’s just… A Skinner Box.

Yup, there’s a lot of monsters, and this is just the beginning. Some are palette swaps, but that’s RPGs all over.

I’m okay with this, as, for the price, I get a decent combat system, with elemental weaknesses, spells, limitations I can get around at my own pace, and new things to meet pretty much whenever I want. I get a castle I can build up… And, unlike many other games of this chill, relaxed type, there’s no microtransactions limiting me. £11, and bam, I have something I can go back to whenever I want.

So, if you like chill RPGs with no real pressure behind them, that are simple to play, but have complexity in the background, maybe give Siralim 2 a go. It’s also available on phone, and has a cloud storage function so you can play it while you’re out too. Which is nice.

The Mad Welshman banged two monsters together, and was pleasantly surprised to find out he had a new monster. Another productive day!

Filed under: Game Reviews by admin

Become a Patron!

Source: Cashmoneys
Price: £13.99
Where To Get It: Steam

If it weren’t for my party, I think I would have given up on Dungeon Kingdom: Sign of the Moon long ago. They’ve revealed dungeons to me, told me about buttons, and, in at least one case, showed me where a puzzle was that I absolutely needed to progress (And hadn’t found in any of the previous updates.) But I can’t help but think a middle ground between “Tell me where things are (occasionally)”, and “Give me one line in dialogue and another in a book to clue me into a puzzle’s existence” would be helpful. That this is true for more than one aspect of Dungeon Kingdom is, sadly, damning with faint praise.

Ninja, Warrior, Priest, Wizard… Where have I seen those before… *Think*

For all that a lot of effort has clearly gone into the environments themselves, with lovingly rendered caves, temples, and towns, and again, work has clearly gone into the various character portraits we encounter, a game is the sum of its parts, and what fills these environments and character portraits is less than impressive. My last session was a couple of hours, but in that time, I had progressed from a kitchen knife to… Er… A slightly bigger kitchen knife, wailed on rats and bees for what seemed like hours, gained four spells (Three of which I had discovered simply through experimenting), and kicked myself as I missed out on a bashable wall, before reminding myself it took several swipes to knock it down.

I’d also met a high priestess Bavmorda, who was obviously up to no good. This shouldn’t be too surprising, considering the naming seems to be geek reference heaven. The priestess Eilistraee, taking a break from being the deity of Good Dark Elves and Hunting. The dark knight Astaroth, in no way a duke of Hell, honest! The list goes on, and… This reminds me of how the game goes on. And on. And on.

This is the oddest problem… A step-based RPG that feels too slow. And it’s obvious there’s time pressure, as the developers have taken leaves from the Dungeon Master book pretty much wholesale… Character recruiting is the Recruit/Resurrect mechanic from both Dungeon Master games, the classes are exactly the same, the emphasis on puzzles is exactly the same… And both food and water meters are present. Oh joy. Oh joy of joys. And yes, that was an incredibly tired and sarcastic “Oh joy”, because, outside of a setting that demands it (Dark Sun, for example), I do not like water meters. I haven’t seen a desert, and don’t think I’m likely to. In any case, that’s your time pressure, as while water is largely unlimited (Making it just added tedium), food isn’t. I have yet to see a “Create Food” spell. So the game is, much like Dungeon Master, very much a case of “Save Early, Save Often” (And use different saves, obviously.) At the very least, you’ll want to save before hitting the inn to avoid the long walk into town.

No, really. Bavmorda. Luckily, we’re all pigs anyway, by virtue of being adventurers!

This, in essence, is my main problem with Dungeon Kingdom right now… That there is potential, but it’s also got a lot that has me saying “Meh.” I hit things, and honestly, only the bashable walls react. Throwing things, oddly, involves physics where good placement is often important. The music is generic, and what voicework there is, is often flat or poorly directed (“Big… Trouble…”) There are awkward moments where it’s not very clear what to do, even with very simple instructions (Stand facing the entrance, and I will come back. What this means is “stand in the next tile along for a little while, which is facing the entrance of the place you have to go, and I will come back. Nowhere else counts, nor does any other direction), and the story… If I didn’t know Bavmorda was evil, or at the very least suspicious, I would have to find confirmation in… Everyone’s private quarters. There’s no consequence for looking at them, there’s no challenge in looting them, but you have to know, ahead of time, that this is old school enough to expect you to do this. The game also assumes the main hero(ine), chosen by being… The first character you pick is a man in the intro. Whoops!

Dungeon Kingdom: Sign of the Moon is undeniably pretty. Some of its puzzles are actually quite good (Which races don’t bow down? Oh, I get what you mean there, haha!) and the developers have made strides in making the game somewhat more accessible with the aforementioned Party hints, a map system, making the food and water meters go down more slowly (Yes, I did notice, and am grateful.) But it feels slow, it seems to progress quite slowly, and it seems to be learning the wrong lessons from Dungeon Master and its ilk.

Monsters will attack, but not always consistently. They generally won’t respond to being hit until they die. Also this is a ghost bat. I thought I’d best mention that.

The Mad Welshman peered myopically at the scroll… Damn these fantasy worlds and their lack of Opticians!

Filed under: Early Access Releases, Game Reviews by admin

Become a Patron!

Source: Review Copy
Price: £34.99
Where To Get It: Steam

This game has been somewhat of a thorn in my side, reviewing wise. Because I’ve wanted to give it a fair shake. But it’s time to admit that The Technomancer and I just don’t get along. This isn’t to say that there aren’t elements of good design in there, but there are quite a few things that make this game Not For Me. So take this review with a larger than usual grain of salt.

It starts with a plot. Water is scarce on Mars, so there are gangs and mutants and corporations of varying evilness, and you are a member of one of those Special organisations who…

Okay, let me stop for a minute and bring up one of the tooltips. This is emblematic of why I’m not so keen on the Technomancer.

What a load of Old Dome. 🙁

Electric, electric, electric… I feel like Billy Connolly at an opera. “I FUCKIN’ GEEET ITTT!” But of course, this is before the game has even started properly. Once it does, I’m in character generation, and I am Zachariah. I am always Zachariah. Zachariah can be dark of skin or pale, of many faces, but it’s always… Zachariah.

This, too, I understand. Sometimes, you want to write a plot with a very specific protag, and that’s Okay. It works for the Witcher. It works for Bayonetta. It’s worked for a lot of games. I even understand why he’s always voiced by the same person… Because VO is expensive. I’m down with that.

There’s a sense of uncanny valley about some of the voices compared to the animations.

I’m less down with the fact that, half an hour in, I have yet to leave the tutorial mission, I have made precisely one dialogue choice, and I have, so far, been the only person of colour (In character, anyway. In real life I have been described as “The Whitest of White Folks”) I have seen. It’s somewhat hard to tell in the tutorial mission, because everyone is wearing some kind of wrap or bucket or other concealing clothing (There’s a reason for that. Turns out, the sun on Mars turns people into Mutants. No, I don’t know either.) The world I’ve been pacing through, similarly, has been one note. It tells a story, but it’s a story I know because this is how this kind of story goes. Resource scarcity (Water, specifically) has led to a decline in population, and so lots of buildings out there are ruined. Also, Mars is not exactly known for the variety in its landscapes, as such.

Of course, this isn’t stated as such in the tutorial mission, beyond the reasoning behind the moral choice in this game (Kill for more resources, but leave the world lessened by it, or don’t kill, but deal nonlethally with things, despite the possibility that many of these people are themselves going to kill and Drain Serum, because you’re Good Like That.)

I’m mostly talking about the tutorial mission, by the way, because it’s emblematic, much like that splash screen. And the ending of the tutorial… Oh no, Technomancers are actually mutants (Who are second class citizens at best as it is), and their little hazing ritual base has been invaded by bugs from below, so…

“Hudson, er… Zachariah!”
“Is this gonna be another Bug Hunt, Sir?”

…The moment I saw the End of Tutorial boss, I just sighed. Yep, it was a big bug. Yep, it had boodles of hit points, and an obvious, fleshy weakpoint. Yes, you could animation lock it. It’s… Predictable. It’s similarly predictable that it ends each “phase” by covering it’s weakpoint, trying to kill you with collision damage (often succeeding), and summoning its lil’ sandhopper brethren. Worst of all, I’d known this from the moment I saw a big circular arena and bugs. So… Good signposting, I guess?

And it doesn’t really get better. Combat nearly always involves multiple enemies, because if it was a single enemy, then you would attack a few times, dodge out of its attack, and repeat until it fell down… As such, it becomes a slog. The story involves the very same Big Secret you’re meant to keep getting out there, and now you’re the Rebels to the Martian Empire…

…It makes me so very tired. I wanted to give it a fair shake. But the game, to me, resists being played. And that’s often the worst thing for me to try and review.

The Mad Welshman also has powers. Train-tying hands. Train-tying train-time prediction. Train-tying mad cackling… The list is highly varied, you know!

Filed under: Game Reviews by admin

Become a Patron!

Source: Cashmoneys
Price: £14.99
Where To Get It: Steam
Other Reviews: Early Access 2, Release

Confidence is a fine thing, bravado a little less so. So you can imagine my surprise when I see the words “Three years to develop The Book of Demons” (and it’s still in development), and then the intro to the game reveals it’s just 1 part of a seven part, presumably episodic set of games meant to create more accessible versions of popular game types, I worry somewhat. I also find two words that are going to be the theme of this review.

“Truly accessible.”

Look, it’s gotta be a friendlier game, Satan has a rubber duck! That’s a good sign, right?!?

These are not words said lightly. Games do exclude some players, sometimes because the developers don’t get that they want to attract new players… Yes, you can market a game to the “truly hardcore”, but you’re only limiting your audience that way, even beyond genre. Sometimes it’s because of the nature of the genre itself, and the impression I get is that The Book of Demons is trying to make ARPGs “accessible” so people can… Return2Games. Oh ho, ho ho ho ho.

There’s just one problem. I’m not even a third of the way in, and those two words are beginning to sound increasingly hollow. Let’s discuss why. Starting with how The Book of Demons tries to simplify the ARPG formula… Because, in case it wasn’t obvious by the screenshots, this is meant to be a sort of Diablo Lite. There’s a town, it’s been infected with an evil under the church, and hell has broken loose. Heck, the first quest is even called “The Cook”, a reference to Diablo 1’s “The Butcher.”

This is about a minute before I died. Can you spot some of the reasons why?

Anyways, there are a couple of ways it tries to simplify, and they don’t… Particularly help. First up is exchanging buying items, using spells and the like, for… Cards that do exactly the same thing. On the one hand, it cuts down on inventory management, because, once you start a dungeon area, you can’t change them out, you can only add cards (if you have room) or change them in town. But while this changes things on the surface, it still means you’re using number keys for potions and abilities and the like, so it just… Limits things. And The Gypsy (let’s not go there, beyond saying “Please can we not do that thing where you have a spiteful, yet helpful magic lady who is a Gypsy, ta?”) even jokes about how using a blacksmith was so inefficient, oh ho ho ho!

If that was the only example of trying to simplify by limiting, and not fully thinking it through, I’d be okay. But there’s one core element that fucks things up righteously. You can only move along a set of rails. You’re still holding LMB to move, and attack, and do other things we’ll get into in a second, but your area of movement is limited.

Sounds okay, until you realise that the monsters you find in the dungeon have no such restriction. Gargoyles quite happily leap into your “able to be attacked” radius, some doing area of effect attacks, then out again. Zombies explode into poisonous clouds that, sometimes, it’s much harder to avoid… And god help you if you’re blocked by a monster in a group from retreating, because yes, that can happen, and unlike many other ARPGs, you don’t have the option of going round.

Let’s unpack this. Two of the enemies require holding LMB over their shield before I can hurt them. One is casting a spell to summon two more of these that will make them invincible. If I want to regain *some* health I have to mouse over those hearts too, and those skulls are a poison effect that’s about to make my health sphere go green and damage me, with the option to click on the *health sphere* to remove the poison quicker. Oh, and the spell icon needs to be LMB held over to stop the spell.

That’s what has led to every single death so far, tbh… There have been large groups of varied monsters, and one of them, sometimes two, have blocked my avenue of retreat, and while focusing on them, the other monsters wrecked my day. All the while, I was having to keep an eye on several different things, just like a supposedly less accessible ARPG, with the added funtimes that I could, theoretically stop a spellcaster from, say, teleporting large groups of monsters to my location, or freezing me, or, in later parts of the first third of the game, summon enemies with shields (requiring further click fuckery) that make the spellcaster immune to any and all damage while they’re still alive.

Somehow, in the quest for simplicity and accessibility, Thing Trunk, the developers, have actually made it more complicated. Now, I’m not an ARPG novice. I’ve beaten the first two Diablos, the first Torchlight, and have gotten most of the way through the second (It’s only really the reviewing that really stops me from knuckling down there, as there’s always something new to get through.) I’m having difficulty curve troubles, before I even get to The Butcher equivalent, that I didn’t get in Diablo, the game they’re trying to make more accessible.

Yes, it’s Early Access, and not all of the classes are in yet. Yes, they no doubt have time… But not as much time as they think they have if this is the first in seven games to fill up that intro set of book podiums. This is the sort of project I want to succeed, because making games more accessible means more people play, and I get more people to talk shit over with, and we can then maybe… Just maybe… Stop with all this “Elite Player” bullshit and just get down to play together.

But this isn’t exactly inspiring my confidence that Thing Trunk, despite talking a good game (Make no mistake, their marketing has been very well planned), are the ones to help people Return 2 Games.

We can, at least, point out that this *is* a laudable goal.

The Mad Welshman started. All of a sudden, he couldn’t turn left… Or right. As the monsters closed in, leering skinlessly as only skeletons can, he tried desperately to wake up.

Their claws disabused him of the notion it was just a nightmare. And that he was going to wake up.

Filed under: Early Access Releases, Game Reviews by admin

Become a Patron!

Source: Early Access Purchase, Way Back When
Price: £11.99 (£35.99 for a four pack, £3.99 for the soundtrack)
Where To Get It: Steam

Well, hot damn. Not only has it been a previous interwubs incarnation that I last reviewed Starbound, it’s changed. And I mean “From the last stable update” changed. So well done, Chucklefish, for keepin’ such changes as “The plot is now there, and somewhat important” and “Oh my sodden underthings, I don’t have to tramp halfway across the system to see a bloody Stargate?”

TENTACLES DESTROY EARTH: In other news, look at this cute space puppy!

I already kinda liked Starbound, and came back to it at various points during Early Access, from the early “UGH, CAVEMAN TIER” whiny days, to the days when you vaguely had things to do and all the biomes were in, to when quests happened and bosses made a vague sort of sense… To this. It’s been a three year journey, let’s check out how things have gone with a brand spanking new character, the lady Hylotl Hachiro (Yes, it’s a boy’s name, shut up and stop judging, asshole! Hachiro does what she wants, and she’ll science you if you disagree!)

Hachiro started her in-game life on a high note… Graduating from Protectorate University, to be part of the peacekeepers of a shiny age of intergalactic harmony. Which is then immediately screwed up by tentacles that destroy Earth. Go figure. Hachiro manages to escape, but finds herself on a lost world, with a pet to feed, herself to feed, and a StarGate Teleporter of some kind right where she lands. She then moved into a ruin nearby, set up her various crafting tables, a campfire, and (eventually) a bed, dug down to the core before she even had iron armour, and did two obstacle courses. Now she can dash and double jump.

Oooh, that’s a big momma, alright! Thankfully, I have a gun, and patience. It has neither.

Compare this to the previous update’s “Bobbert”, the Glitch, who escaped without any prologue, dug down to the core after many travails, upgrading to Iron armour so he could fix his engines so he could schlep to the edge of the system to get a quest. Which he needed the iron armour for. As you can see, we’re off to an improved start. But, as the update giveth, it also taketh away. Unlike Bobbert, Hachiro has yet to give an assassin a cake, can’t cook proper food yet, needs more and different things for even iron armour and weapons, and Survival mode now means “You drop most of your inventory when you die.”

Which is definitely a reason to play cautious. For example, places I have dropped all my shit:

• Halfway across the planet from where I beam down.
• Halfway across the planet from where I beam down, next to a Big Monster.
• Near the core of the planet, in a pool of lava.
• Halfway across the planet, deep underground, next to twelve bats.
• Halfway across the planet, deep underground, at the bottom of a deep, steep sided pit.
  

  This was actually the *least* problematic of my many equipment recovery missions…

So, I like the changes. I like the story. I love the friendly tooltips. But I’m probably not playing Survival again unless it’s with friends. I just get too frustrated at losing most of my stuff, and dying several times as I trek halfway across a planet to find it. Also of note is that the mod scene, having developed over the three or so years of development, is alive and well, so the experience can be heftily customised via the Steam workshop. The soundtrack is great, the visuals are finely honed (I have little to no colourblindness problems here, always a good sign!), and…

Basically, there’s a heckuva lot of game here, a little grindy in places (As survival exploration games can be), but it’s got charm, it’s got story, it’s got a lot of cool things, and I would recommend it quite highly.

Of course, since it’s been in Early Access for most of its development cycle, I have the strong suspicion most of the people reading this already know that. But it’s nice to see a game come out of Early Access this strong.

The Mad Welshman set his matter manipulator to “Underground channel” and grinned. Oh, he’d show that lava what’s wha…

…And then the bat behind him knocked him into the lava.

Filed under: Game Reviews by admin

Become a Patron!