Source: Review Copy
Price: £32.99 (or £39.99 for the Master Collection), Gaiden Sigma 1, 2, 3 included. Controller necessary.
Where To Get It: Steam

Now that I, Ryu Hayabusa, ninja who has gone from blue to deep, edgy black, have learned that Triple Buffering is bad for my games, I can properly be an awful ninja who forgets how to block and dodge, despite those being terribly important things, in the second installment of Team Ninja’s Ninja Gaiden, Sigma 2. Which is, honestly, a friendlier game, for the most part.

Not the biggest fan of RB being “snap the camera back to somewhere over Ryu’s right shoulder” and hold RB for “Show me the path to go”, not only because that makes things awkward, but also because the way not to go often contains goodies, and the way to go inevitably contains fights I’m not so hot at with anything between two and… does a fingermath… Silly amounts of enemies (Okay, okay, the upper limit’s generally about eight, with more spawning in in longer battles.) Once again, controller mandatory, this is a character action game, so there’s a lot of blocking, dodging, combos, special Ninpo Arts, weapon switching, item switching, camera struggling… Less camera struggling than the first game, but definitely not free of it…

There be a lot of buttons, although your main ones are the fighty ones. Switch items mid-battle when you’re good at it, and maybe choose Hero mode.

In any case, the second installment is much more bombastic from the get-go. The team of Eeeeevil Ninjas, the Spider Clan, are once again up to no good, trying to claim demon artefacts to get demon powers while also being very devilish themselves, and your first boss fight is against… Buddha. Okay, okay, a gigantic Buddha statue, but it allows me to say that Ryu Hayabusa is a big believer in “If you meet the Buddha, kill him.”

Aesthetically, it’s definitely an improvement, pretty solid by today’s standards, visually nice, good music, much more organic sounds of death and blood, and, in a nice touch, you can either have the censored version’s purple smoke for blood, or, y’know… Blood. Oddly, the censors still allowed dismemberment. Maybe because it’s such a big part of the game. Cut a limb with a weapon off, bam, they’re less useful. Cut a leg off, they’re not going to do much, movement wise. Cut both legs off a Spider Clan ninja and you’re silly enough not to use the simple instakill-when-wounded of “Hit Y when you’re next to an enemy for a kill animation”, and they’ll try to grab you and self destruct.

It’s still a peanut butter style deal, still not an entry level character fighter (although it’s likely as good as you’re going to get in this combo heavy, don’t button-mash but consider your movey type deal), but I’d more comfortably recommend this one to players looking to get into games where single people (sometimes different single people in certain chapters) beat the living snot out of multiple people at once, then beat the living daylights out of a boss, usually a loud and powerful one.

The Mad Welshman would kill the Buddha on the road, but the Buddha’s kind of far away, and he’s rather tired, and just not up to it. Here, this Buddha’s yours…

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Source: Review Copy
Price: £32.99 (or £39.99 for the Master Collection), Gaiden Sigma 1, 2, 3 included. Controller necessary.
Where To Get It: Steam

Ah, Ryu Hayabusa. You’ve gone through a few changes over the years. But it’s mostly been an upward trend. And Sigma is… Alright. Solid character fighter, with some good enemy designs. Although that assessment isn’t without its qualifications.

In any case, Ninja Gaiden Sigma is an action game in which the aforementioned Ryu Hayabusa must recover the Demon Sword that was in his clan’s care (It’s been taken and used for evil before, after all), and to take vengeance for the murder of clan members, slashing and polesmacking and generally murdering a bunch of enemies, from other ninja clans to an authoritarian military to demons, and finally, the Big Bad. Fun stuff. And definitely controller mandatory.

Or rather, it would be fun stuff if the camera weren’t my deepest enemy, and if Triple Buffering is turned off, because otherwise the game’s framerate drastically drops.

I freely admit, I didn’t get very far in playing it, because of these very frustrations. Jumping is… Finicky, the camera can sometimes just look straight down and obscure my view of anything, as sometimes happens in character action games in confined spaces do (and there are quite a few confined spaces. Usually with enemies in them.) If there’s enemy lockon, I couldn’t find it, and so, awesome moves like the swallow blade (jump, press Y to muller somebody’s head off in a diving arc) are also finicky.

It’s actually kinda pretty, too, for something that was originally a PS3 title. Not mind blowing, but you can definitely say, at points, “Damn, this scenery, huh?” or “Hrm, that sure is a tank, wonder if it- YES, IT’S MANNED, KILL IT KILL IT KILL IT WITH FIRE.” A combo of hard buttrock and traditional Japanese music makes the soundtrack, and the sound effects… Well, those feel a little older than they maybe should, but hey, not everything has to be awesome.

Still, from what I’m aware, it has some frankly baffling level design decisions at some points. Okay, yes, you, uhh… Don’t have much of a move set underwater, Ryu. So why did they put you through a swimming level, mmm? Or the labyrinthines sewer level, just a bit earlier.

Look… Look… People. Hate. Sewer Levels. They’ve hated them since Teenage Mutant Ninja Turtles for the NES. Also, the subtitles I saw were missing about half the time, which is a problem (both accessibility wise and generally), and the easy difficulty mode is only unlocked by dying a whole bunch… So, definitely a mixed bag, even today.

To be honest, Ninja Gaiden Sigma’s gameplay, janky as it is at times, is a peanut butter situation. If you’re not a longtime “Make combo and guard to kill enemy, use different weapon which do different thing for different folks” type player, this definitely isn’t an intro level game, and it likely won’t appeal that much.

The Mad Welshman is, on the one hand, not a fan of peanut butter. They are a fan of character action games, even if they are not the best at them.

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Source: Review Copy
Price: £14.99
Where to Get It: Steam

I am bad at Alex Kidd. I’m not even going to pretend I’m not, because Alex Kidd is from the days of yore, and I’ve gotten used to not dying in one hit, silly billy that I am.

But not being good doesn’t necessarily mean you can’t appreciate things. Like the gorgeous aesthetic of the remake, while also allowing you to play it mostly as it originally looked with the push of a button. Gotta love a remake that not only makes things look nicer, but also keep to the vibe. That’s harder than it seems.

Still, yes, Alex Kidd. What a series that was, each installment different enough that it kept it fresh, but this, being one of the earliest ones, is also both the oldest and most unforgiving. Alex is somewhat floaty to control, having some inertia, and while he has a lot of air control, this isn’t always to his benefit (as noted by the times I’ve jumped into a bird. The many many times.) His punch, meanwhile, is purely horizontal, although power ups can change things up, like fireballs.

Oh, and some of the bosses play Rock, Paper, Scissors, with an instant death if you don’t win best of three. Yes, old platformers were odd like that. So yes, if you don’t like Ye Olden Game Design, the way Alex controls and the one hit kills in (admittedly well checkpointed) levels not appeal to you. There’s ways to mitigate the rock, paper, scissors bosses, including memorisation, and if you just want to play the damn game, there’s an infinite lives system.

Honestly, even though I’m not good at Alex Kidd, not by a long shot, I still enjoy it. Yes, I had to turn on infinite lives. Sue me, I’m no longer the kid who beat Codename Droid in one try, or regularly enjoyed the obscure game Onslaught. It’s relatively short, but naturally, as in many of Ye Olden Games, part of this is difficulty padding that’s been preserved, but there are new levels, there’s enough quality of life to make this a good remake, and, well, if you like hard platformers, this one’s pretty good for you.

The Mad Welshman well remembers the time of Nintendo Hard. Nobody seems to talk about Infocom Hard though, it’s just as catchy!

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Source: Cashmoneys
Price: £11.39
Where To Get It: Steam

Try this one WEIRD game! Completionists will HATE it!

I mean, that’s a really good capsule summary. It’s weird (unsurprising, considering it’s a meme ridden ex-Newgrounds series, a notable time for experimentation in Flash games, not always to the better, but enjoyably so, in this case), and yes, as a completionist, I can say that 100 percenting this game is a bastard.

Okay, let’s get into it. Henry Stickmin (not to be confused with Henry Stickman) is a not-great human, er… Stickman. And with him, you go on a choose your own adventure style game (but with some quick time events) where failing still provides entertainment. There are six episodes, one of which requires you to have completed all the endings of the previous two to complete (part one of “Completionists will hate this.”) Choose your method of getting past the obstacle, watch what happens, likely retry, rinse, repeat. As noted, there are quick time events (some of which are brutal, so folks not okay with twitchy games, note well), and… Collectibles.

Oh boy, the collectibles. So, normally, I would be fine with collectathons. Love ’em. But Henry Stickmin wants to make it as hard for you as possible. There are people you have to click within about half a second, or multiple people you have to click within a few seconds, as many as 15. Some of whom are small. The same with the paintings in Stealing the Diamond. Oh, and the Among Us collectibles. And that one achievement where you have to click Gary Mann 5 times, or click where Henry’s going to land correctly in three different scenes…

Yup. I hate the completionist aspect of this one. I’m also less than fond of it using infamous meme “Shoop Da Whoop” (A blackface meme), even considering that it was popular back in the day. Gollywog dolls were too, and I sure as hell wouldn’t defend them. But overall, it picks some solid ones, fun references to Avatar, JoJo’s Bizarre Adventure, Predator, Looney Tunes, Zelda, Pokemon, Phoenix Wright… I could go on for a fair while, but its silly humour lands more often than it misses. Or maybe I’m just an old.

Aesthetically, well, it’s very clear. Choices are nice and big, the text is clear… The music is a bit of a mixed bag, but overall, it works.

Now, when it comes to the audience? I’ll freely admit, the appeal is somewhat niche. Masochistic completionists, I guess, old folks like me who get the memes, Newgrounds Nostalgics… Seriously, I don’t really know. All I know is I found it a generally alright experience, except for the completionist stuff, which I hated.

No, The Mad Welshman has not 100%ed this game. Don’t bug him about it.

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Source: Charity Bundle
Price: Name Your Own
Where To Get It: Itch.io

Ah, I do love a good murder mystery. I love gathering the evidence, presenting it, drawing conclusions… But y’know what I don’t love?

Not-twists. Now, not-twists come in several flavours, but one of the most common ones is a twist that is not foreshadowed in any way, shape, or form.

Why is this relevant? Well, we’ll get to that. First, let’s get another thing clear: This is an alright game of its genre, with relatively few statements to untangle, a fair amount of evidence to poke at, has simple controls, a nice accessibility feature in the form of the option of glowing evidence points (with obvious interactions being obvious), and can be solved in less than an hour, if you’re so inclined or already know how to solve it. Since you’re in a spacesuit, you can rotate and the like, so some motion sick folks might dislike it, and, as far as I’m aware, there’s no windowed mode or resolution changes (BOO), but this is a lesser complaint.

It even has an interesting variation on the deaths in 2001: A Space Odyssey, on which it is very obviously based (C’mon, folks, at least say it’s an homage in the game, not a tongue in cheek “This totes isn’t based on a work by a handsome and talented writer.” The latter half being a claim I dispute anyway. I won’t spoil them, but rather than the relatively simple deaths of 2001, they’re more malevolent. Although one of them is a bit iffy. MAL, old buddy, you can see through the entire ship, how would you not know about that one?

So, aesthetically, it works well with its low poly style. It even has some tongue in cheek references, like the helmet of one of the crew being held in their arm, as they copy the pose of T. J. Kong from Dr. Strangelove. The music pays homage to the use of classical music in 2001, the writing is mostly solid…

Except for the not-twist. For the obvious reason that this isn’t foreshadowed, you’ll play through the game and… Wait, what? Only by doing something slightly different will this ending change. And, honestly, it’s a bit of a crap ending.

So, if you’re fine with a crap ending, preferring to focus on the gathering of evidence, the asking about evidence, and the presenting thereof, well, this is a solid short game. But if not-twists piss you off as much as they do me, then I can’t really recommend it.

The Mad Welshman eagerly awaits our AI overlords. Except not, because they’ll be capitalist bastards.

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