Source: Early Access Purchase
Price: £29.99
Where To Get It: Steam
Other Reviews: Mordheim

There’s just something about sending your friends into a magically radioactive, monster infested city that tickles me. Now, before you go calling me a monster, consider that this is a game called Mordheim, about sending fantasy gangs into a desolate, doomed city to get glowy green rocks that everyone wants, but nobody should really have. Because, while they power magic and machinery alike, they are artefacts of Ancient Evil, and have a nasty tendency of mutating or corrupting pretty much everything they touch.

Today’s Anti-Heretical PSA brought to you by the letter S, for Sigmar our Saviour!

Also consider that, most of the time, my buddies are doing well, because I’ve been playing this since early in its Early Access run. The fact that I’ve been playing it almost the entire way through its EA run and still not gotten bored should really be a testament in and of itself, but just in case, here’s the rest of the review.

Mordheim, by Rogue Factor Games, is based on GW’s Warhammer universe, and is a turn based strategy game that isn’t strictly turn based. You see, everything you do on your turn, you do with third person shooter style controls (WASD to move, left click to do a thing, Q and E to switch what you’re doing.) It’s a nice touch, and goes a long way toward making something that’s somewhat dull to many (I move X piece to Y location, and roll some dice) actually somewhat exciting. TBS fans, understand that, while I know the joys of TBS play, this is nonetheless true, and Rogue Factor are doing something interesting which may attract folks not normally attracted to turn based play.

Everyone’s very fond of posturing and screaming in the Warhammer universe. Everyone.

Make no mistake, it’s a meaty game with layers of strategy that only get deeper the further in you get. It starts relatively simple: A Leader, a Hero, three Henchmen of two types, picked from one of four groups fighting over Mordheim’s shattered and Wyrdstone warped ruins. The Sisters of Sigmar hit things very hard, but are somewhat slow. The Cults of Chaos have dark magic on their side, not to mention mutants. The Skaven of Clan Eshin move quickly, and have poisonous weaponry (With a side dose of rat-ogre later), but are squishy and crack at the first sign of danger. Finally, the Reikland Mercenaries have guns and the usual human “I can do lots, all of it only at an okay level! Wheeee!” mentality. As befits a Warhammer game, none of these people are nice people. As you get more powerful, more types of units and skills become available, as do more dangers within the city, such as traps and Demons that wander the streets… Looking for what they consider their rightful prey.

How does it feel to play? Bloody tense, actually. From around day two, you’re by no means guaranteed a mission where you will stomp face, and very often, you’ll get the short end of the stick deployment wise (Spread out too far, or your leader and hero are in a group, leaving some of your henchmen alone without support.) It’s also not very newbie friendly tactically, as, while it eases you in, it doesn’t tutorialise much, leaving you to work out what things do from the tooltips. The fact that a single mission can take up to an hour or more means that this is definitely a time investment.

The Sisters of Sigmar: Hardcore Battle Nuns. What’s not to like?

Let’s take an example from the Sisters of Sigmar playthrough I’ve been doing. The Sisters had gotten separated in the middle of Skaven territory. Considering how the Skaven like to do things (Ambush swarms taking out individual stragglers), this was incredibly bad news, and Maria ApfelUndOrangen, lay sister, proved this point in the first round, as three rats (including their leader) leapt at her from surrounding buildings. She managed to hold them off for all of a couple of seconds, injuring one, before she was swarmed. D.V. S. Von Vacuum, Matriarch of this particular battle group, managed to regroup with one of her lay sisters by virtue of said lay sister hearing the sounds of battle after another Skaven ambush (Luckily, only an ambush of one) across the district from where Maria had fallen. In yet another portion of the city, Ethel Von Munster also managed to group up with the last lay sister, casually dispatching a skaven with a halberd along the way, taking no injuries. So far, at least, the battle had mostly gone the Sisters’ way. It was not to last.

While Von Vacuum and her cohort battled the surprisingly tenacious rat (Who had managed to dodge nearly all blows to this point), Ethel Von Munster and company went rat-hunting. And they found them. In spades. The previous ambush group simply charged in, and Ethel Von Munster went to work with her Greathammer, blessed by the Matriarch in the name of Sigmar Heldenhammer, Hero and God of the Empire. She managed to take down the rats’ leader, an assassin of Clan Eshin, before she was crushed under a tide of furry, bitey bundles of hate. Her companion took a similar accounting of herself, falling only to the final ratman’s mace.

A starting band of Skaven. So… I heard you like rats?

Things seemed bad, with the majority of the Sisters’ small battle group out for the count, possibly dead. But for some reason, enemy morale broke, not with the death of their leader, but after the murder of a minor clan-rat, and the sisters (With the exception of Ethel Von Munster) lived to fight another day. They were battered, and bruised (The lay sister who’d accompanied Ethel Von Munster had a crushed arm, and the Sisters were forced to amputate), but ultimately, triumphant.

Now, this particular group of the Sisters of Sigmar are strong, and the younger sister of Ethel Von Munster (Coincidentally, also called Ethel) has crushed many a rat head since. They have yet to lose another Sister, and they intend it to stay that way.

Obviously, the story did not go exactly that way, but that’s half the fun of a game like Mordheim: The stories it generates. Be aware that customisation is limited to costume colour and a few options for your characters, be aware that it’s not the most newbie friendly game out there, and you will very likely have some fun with this pretty well crafted and atmospheric game of urban strategy.

The Mad Welshman grimaced as he placed a chunk of Wyrdstone in his pack. His moustache had been… Talking to him, and whispering horrible things. Then again, it was also telling him Wyrdstone was bad for him, and… How could something that got him so much money be bad? Best assume the Stasche lies, he thought.

Filed under: Game Reviews by admin

Become a Patron!

Source: Review Copy
Price: £31.99 (£44.99 for Deluxe edition)
Where To Get It: Steam

This is one of those times where I genuinely wish I could say more than “The developers continue to support the game and continue to introduce nice things.” I want to like Sword Coast Legends. I already like its voice acting, its environments, and how heavily abstracting the 5E DnD system makes it more accessible.

But right now, that’s just a wish. Because it’s clearly not for me as it stands.

Hommett, a wizard who had been thrown out by the Harpells (A Bad Sign)… One of the many characters, with great voice acting, that… Just don’t grab me.

Sword Coast Legends, developed by N-Space, and published by Digital Extremes, just doesn’t grab me. It is improving, but it’s been almost two months since its release, and I fail to find the motivation to get very far, despite promises of an improved DM mode. And part of this, I feel, is that it’s quite clearly balanced towards a multiplayer experience. Dungeon Crawl mode, for example, has enemy groupings in its “Easy” dungeons that would quickly overwhelm a level 1 fighter, such as a pair of Level 2 Goblins supported by a pair of archers, and a shaman that keeps healing the bleeding lot of them. You don’t want to ask what happens to a level 1 mage, as the answer is nearly always a bitter frown and the word “squish” repeated in a deadpan tone, over and over. DM Mode is currently, and will remain until next month, a random dungeon generator where some monsters and simplistic quests can be added, and Story mode…

Look, I know that the Sword Coast is iconic. I know that Luskan is a hive of scum and villainy. I know that it’s right there, in the sodding title. But I’m somewhat tired of the Sword Coast itself, and I’m definitely tired of a plotline that can be summed up as “You might destroy the world you love because a great eeeeeeeevillll has chosen you to be its host!”

Luskan. Luskan never changes. Religion, Magic, Planar Politics… But Luskan. Luskan never changes.

An Ancient Evil, if Forgotten Realms material to date is any indication, threatens Northwest Faerun once a week. I’m honestly surprised anything gets done in the setting, the amount of Ancient (and Current) Evils that are hanging around. It doesn’t help that the main players are introduced pretty much in the prologue (A Drowish sorcerer, some do-gooders who may have been tricked, some fanatical worshippers of Helm who may also have been tricked, and, of course, the Ancient Evil itself, a demon from the darkest, yet fieriest pits of the Abyss.)

This is all a terrible shame, because honestly? You can see a lot of love went into this, and the fact that N-Space Games are continuing to improve things says a lot. The voice acting is pretty damn good, and it felt right… Even the Scouse dwarf Larethar Gulgrin, which fits his character very well. The environments are pretty, and clearly abstracting the mess that is the Dungeons & Dragons Feat/Skill system into a series of easy to understand, and well compartmentalised trees? That takes effort, and it does work. The music feels like it could have been transplanted into pretty much any high fantasy game and still worked is more a comment on the genre’s conventions than the quality of the music (Which is also fairly nice.)

But how you feel when playing it is important, and I felt… Like it was busywork. Even with the pause for tactics that makes fights easier, you’re still going to be using the Stabilise (Get People Up Because They Fell Down) command a fair bit, and the items… This game is filled with vendor trash. So. Much. Trash. I have lockets and statues of various deities and rings galore, beer bottles and wine bottles and Luskan Coffee of various types… And I have no idea what might become important, and what’s literally here for flavour. The only things that are truly important to me are weapons, armour, and magical items, and, thanks to a procedural treasure system, beyond fixed drops, I’m never quite sure whether something I grab will be of any use whatsoever. Sorting through it all felt a chore, even with some of the ease of use features in the inventory. Combat never felt real to me, even with grunts and clangs and flashy spells going ZAP and thwaaaaBOOM.

The abilities often have evocative names. That doesn’t always improve the experience.

This, honestly, is a damn shame, and, in the interests of fairness, I am going to give DM mode another chance when the improvements hit in December, because, as Neverwinter Nights proved, you can have a less than stellar story, and still be a game worth remembering because of its other features. Folks who are less critical of high fantasy’s foibles than I am may find this a more interesting game, but… It really does seem to be rubbing me up the wrong way, and that makes me sad for reasons I can’t entirely articulate.

The Mad Welshman examined the statue of Sune Firehair he had found in the Goblin caves. Even with her warm smile, her hair tastefully lined with amethysts and opals, she felt… Lost, somehow. Her gown was cracked, and dust had settled in her blazing hair. Undeniably beautiful. Undeniably precious. But, equally undeniably, another religious icon to place in his pack.

Filed under: Game Reviews by admin

Become a Patron!

Source: Review Copy
Price: £29.99
Where To Get It: Steam

Oh, that poor old Van Helsing bloodline. They’ve been put into some pretty awful films, continuations of the Dracula storyline, lampooned… Oh, it’s tough to be a Van Helsing. However, this isn’t quite so true of the Van Helsing Jr in The Incredible Adventures of Van Helsing series. And now, for slightly less than the original trilogy put together, we have the whole shebang in one package.

Katrina Is Not Impressed.JPG

I’ll mention a couple of things right off the bat. Firstly, this requires an online login to play, even in single player. I’m not entirely happy with that, but there it is. Secondly, I have not played the trilogy before this point. This is basically a fresh look at it.

So, if you’ve ever played the Torchlight or Diablo series, you’ll have the rough idea: Left click things till they die, occasionally hitting numbers, right click, or the heal button (Q), then left click their loot, make your numbers bigger, and go off to kill things. The devil, of course, is in the details, and there are definitely things that make Van Helsing unique, such as an upgradable companion (The irascible, vain, and selfish wraith Katrina), a crafting and upgrade system (using magical essences and the banging of three items of the same type together), hidden quests, and power-ups to your active and passive skills (called Auras.)

The thing is, it suffers a little bit from a somewhat erratic difficulty curve. For most of the first chapter, I happily murder nearly everything in sight, often killing entire groups in one blow (This is especially true of the Phlogistoneer, whose weapons are basically rockets and cannonballs), but when I got to a certain boss fight, suddenly, it went from “Ahahaha! Die… Dieeee!” to “Huh, I have to take the prie- sigh … The priest out first, run round like a blue arsed fly until my shields regen, kill the- Oh, sod, I died again.”

Did I… Did I just do that? I did just do that… LET’S DO IT AGAIN!

…Yes, that’s exactly what happened. I died twice (Once because I didn’t prioritise the healer, once because I didn’t run away fast enough.)

And from there, it was challenging all of a sudden, and has remained that way up till halfway through Chapter 2. I expect another sudden difficulty spike any minute now.

However, once I hit multiplayer with a friend, the game changed. We laughed, with one or the other of us making “Ohhhh”s and “Ahhhh”s as we showed each other the Hidden Fun Stuff in the game (For lo, there are hidden quests), and chuckling at the fact that, due to budget and time constraints, the voice acting for the first chapter is aimed at the Bounty Hunter class (originally the only one, now one of six.) It’s okay, though, they all wear silly hats, so we were fine with it, NeoCore.

It’s important to say, at this point, that the game is fun. The writing is silly and over the top at times, but presents some interesting ideas, and does so consistently (Turns out the original Van Helsing brokered a peace between man and monster, an interesting inversion of the way things usually go), while, if what I’m seeing and what I’ve been informed is correct, there’s been some major changes under the hood to mean that no one class feels less than interesting to play. It still retains the three chapter structure, and I enjoyed messing around with the crafting system.

Just like any ARPG, when you get swarmed, it can be a little tough to work out what’s going on.

Of course, it’s not without flaw, and some areas (Most especially in the crowded urban landscape of Chapter 2) could do with a bit of a readability pass, as I often thought I had found a clever way around things, only to find that no, actually, the path I’d taken became impassable only a short distance in, with nothing interesting to show for it. The ability tree for the main character also seems to encourage specialisation, as you’re not going to get your second tier abilities until Chapter 2 (Unless there’s something I missed), so spreading your points around seems an easy way to fatfinger your way to death. There’s also the N key, which zooms in to where your mouse pointer is because… Well, actually, we never figured that out. The angle doesn’t seem quite right for dramatic closeup.

Overall, though, I think ARPG fans would like this version, and it seems like an okay introduction for new players to the ARPG genre (Although I’d still say Torchlight is tops for that.) I shall leave you with the parable of the Big Red Button. So far, I have encountered two Big Red Buttons. You should all know what is said about Big Red Buttons, and it won’t surprise you to know that Katrina, bloodthirsty chancer that she is, wants to push said BRB because she wants to know what it does. One of these times, it ended in tragedy. Another, it ended in murderous glee. In a way, this sums up the experience very well, with both good and bad coming from the same… Shiny… Red…

I should also mention, at this point, that the voice acting can be quite good at times.

[PUSH BUTTON? Y/N >Y]

The Mad Welshman sweated as Katrina grinned. His finger hovered. Fate hung in the balance.

Filed under: Game Reviews by admin

Become a Patron!

Source: Early Access Purchase
Price: £23.99
Where To Get It: Steam
Other Reviews: Release

Way back when, when I was a snotty teenager (As much due to being an ass as having broken my own nose in gym class), I was a fan of the more obscure Games Workshop stuff. Y’know, Warhammer Quest, Necromunda, Battlefleet Gothic. Mordheim, however (Warhammer Fantasy’s answer to Necromunda), somewhat slipped under my radar.

However, when Rogue Factor and Focus Home Interactive, last year, put Mordheim on Early Access, my strategy game senses tingled a little. Here, perhaps, was something I could sink my teeth into.

You will see this loading screen a lot. Less so as time goes by… But a lot right now. So you know.

For those who don’t know what Mordheim is, it’s basically “Gang Battles in Games Workshop’s Warhammer Fantasy world.” The city of Mordheim has had a rather bad Wyrdstone problem of late, and, since Wyrdstone is as useful and powerful as it is dangerous, the majority of citizens have left, and treasure seekers have moved in. Specifically, the Sisters of Sigmar (A somewhat heretical cult that nonetheless wants to confine the threat of Wyrdstone), the Skaven (Mutant ratmen who use Wyrdstone for various purposes, nearly all of them violent and/or immoral), the Cults of Chaos (Wyrdstone is valuable to the Chaos Gods and their worshippers, due to its mutagenic and magic enhancing properties), and the Empire (Who basically are in it for the money, don’t particularly care about Wyrdstone, and would happily slaughter any of the other factions if there was a cut in it for them)

Of course, you can guess by the fact you’re reading this now, rather than 2014, implies that I didn’t think it had come far enough in development to really get a whole lot said, and that… Has now changed. Because progression and persistence have now hit Mordheim, and my gang can finally live or die on their successes… Or failures. So, to test this update out, I went for the Moustache Twirler Option: Skaven. The grandiose cravens, with their backstabbing, ambush tactics, and dirty tricks like poisoned weaponry were, obviously, right up my alley. It helped that if I failed, I could blame my underlings, much like Skaven do in the setting.

Some of the models are lovely, even if this one made me think “Did Bavmorda nick Sorsha’s kit for some reason?” Note the relatively sensible armour choices.

Some things, sadly, haven’t changed overmuch. I made a cup of tea between picking my warband and the interface loading up (They joke that “Chaos Is At Work”, and the loading times have improved since the start of the Early Access… But it’s still not a game for the impatient), and almost immediately had troubles working out how to hire folks (Double click the icons for that kind of warrior is how you do it.) But once I’d gotten that UI niggle out of the way, I got stuck in.

My first mission was a success, of sorts, although not an overwhelming victory. None of my rats died, but I routed the Sisters of Sigmar before I could collect enough Wyrdstone to fulfill my optional objective. Still, considering that the Sisters tend to wield large hammers, and none of my somewhat brittle rats died, it was a plus. Still a plus was the decision by Rogue Factor to turn each unit’s actions into… Well, running through the world. It’s slightly abusable, in that you can retrace your steps to regain movement points, which lets you explore slightly more than is perhaps sensible… But a counter to this is the fact that, if you move unwisely, you’re going to get ambushed and lose all that movement. Indeed, as Skaven, I’m somewhat counting on getting my hits in first. The primary objective is nearly always to rout or try to murder the opposing team, but there’s a couple of side objectives, including bounty hunting (Put a specific unit Out of Action) and Wyrdstone collection (Usually 50% of the stuff that’s on the map)

The map will give you *some* idea of what’s around. But only some. Don’t *rely* on it.

Of course, if movement were the only thing you had to watch out for, I’d be a bit worried. But fighting also has limits, based on the skill of the units in question. For example, most skaven have three Strategic Points (for Ambushing and Fighting), but the Hero and the Leader both have 5, allowing them, in a straight up fight, to attack twice a turn. Turns are initiative based, and… How does it feel?

Tense. Very tense, since the maps are procedurally generated, as are resource locations and the start points of your units. Your worst nightmare is to become scattered, while your enemy is cohesive. It generally means, for most groups, that you’re being ambushed and piled on instead of the other way around. And that’s a bad thing, since getting a key unit injured early on can lead to big problems. Good example, the mission after I’d been told by my Clan Lords to send them a hundredweight of Wyrdstone, and I had ten days to do it… My leader got taken out by the last attack from the leader of the Sisters battlegroup I’d been facing. Because units cost upkeep, and injuries cost for treatment, this meant I had 4 tense days, hitting the Next Day button. I knew he wouldn’t die (He had, in fact, gotten a Near Death Experience, which was one of the few relatively beneficial options), but that was time I wasn’t gathering Warpstone… Fail to do that 4 times in a row, and your warband is disbanded. Permanently.

This… Is a bad situation to be in, especially if you’re wounded.

On the upside for me, but perhaps not so much for the developers, the AI, while still improved, can still be outthought, usually with picking good ambush spots. In the AI’s (or another player’s) favour, however, is the fact that while you can sometimes hear units close by, you won’t know where they are for sure until they come into view. If they go out of view, their last known position on the map is an icon with a question mark… But that can only help so much, since you don’t know how far they’ve already moved before you saw them. Thankfully, sooner or later, they’ll run into ambushes, and then you can swarm them. Fair fights are not the name of this game, especially if you’re the Skaven. In fact, fair fights in general are somewhat of a bad idea, due to the AI having a health boost that… I’m not entirely sure they need anymore.

Multiplayer, when I can find someone, is a more challenging experience. On the one hand, I’m matched by point value. On the other, that doesn’t mean I’m matched by skill (Sadly, a common flaw in games like this, and one I haven’t really thought of a good solution to). Many a skilled player doesn’t mind going back to the beginning, but, as much as I can’t predict the opponent’s skill level, I can, within certain limits, guess what they have. And, in the early game at least, it’s going to be somewhat similar to me. Levelling up is a somewhat slow process, costing experience earned from battles, time, and money (100 gold per level 1 skill, and a day or two training), so if I see a Leader with a Great Hammer, I can somewhat bet that they’ve taken something to hit me harder with.

When you do well, you do *very* well. When you do badly, people die.

It’s not a flawless system, as there’s quite a range of possibilities for builds (I’m currently going with “Skaven wot hit hard when they ambush”, although I expect to branch into “Also we poison the hell out of you” as soon as my balance allows it), and y’know what? I’m liking it so far. I should also mention the aesthetic: Grimdark. Dissonant choruses, blaring horns, and the occasional scream assaults my ears (Pleasantly), while pungent gases afflict me and the streets are ruined, covered in grime, slime, and… Was that a screaming face with an eyeball in it, melted between the wall and floor? It was! It fits the game perfectly, but will look over the top to people who haven’t encountered how over the top Warhammer can get sometimes.

If you want to have a go at a turn based strategy game with some interesting ideas about making it not feel quite so turn based, don’t mind those loading times (1 cup of tea per transition, I’ve found, although your mileage may vary), and don’t feel barraged by numbers (The tooltips help there somewhat), then this might be for you. If you’re not a fan of grimdark, not a big fan of timesinks, and don’t like the idea of turn based strategy, even dressed up, then it’s a probable “No, thanks.” Just be aware that yes, it is still Early Access, so glitches, bad collisions, and odd camera angles still abound… But it’s showing a lot of the promise in the game already.

The Mad Welshman stab-kills many electronic man-things in the course of his work. The tail is artificial, and he does not work for the Great Devourer. No. That would be dumb-silly.

Filed under: Early Access Releases by admin

Become a Patron!

Source: Cashmoneys
Price: £6.99
Where To Get It: Steam

Every now and again, there comes a time when there’s no diplomatic way to say that a game is terrible. Dark Heritage: Guardians of Hope is one of those times. This game is appalling, even for a genre not exactly known for high production values, or even polish at times. That genre is Hidden Object Puzzle Adventures (or HOPAs). Bear with me, while I explain why this game is the pits.

It is an unwritten law that all houses must have a ResEvil Lock/Safe somewhere on the property. Ghosts are not exempted from this.

For those who don’t know, HOPAs are a specific subgenre of adventure games, where at least a third of the puzzles (Usually more than half) involve finding hidden objects because… Well, between one and three of them (Usually just one) are important plot items, and the rest… Is just for the joy of finding hidden objects. Your mileage may vary immensely on whether that really is a joy, not only as a personal preference, but also within games. They mostly tend toward supernatural, sometimes romantic or familial stories, rely on simple characterisations, and have retained many of the same core UI elements as they had in their humble beginnings (Around 1998). Backgrounder over, let’s talk criticism.

For a start, unless specifically pluralised, hidden objects tend to be the only one of their kind in an individual puzzle. Not so with Dark Heritage, which not only has objects similar to each other (You may try and click on a “Hammer”, only to find out, near the end of the game, that it was actually a “Lever”. The actual hammer is on the other side), but exactly the same type of object (For example, two wheels. One’s a bicycle wheel, one’s a cart wheel. Only one of these choices is correct.

The game gives you clues via the usual journal. Those clues are not always visually clear, however.

The inventory puzzles, similarly, involve arbitrary interactions, much more so than usual. I couldn’t use a saw or an axe on some planks, because, since they had bolts on them, I was clearly meant to use a wrench. You’ll lose cutting tools (Because adventure game rules), then wonder why, as your main interactions appear to be cutting, smashing, and sawing of some description. Not all of them… But enough to leave you scratching your head, wondering why the hell you can’t smash this time.

As to the puzzles… There’s a lot of repeat puzzles, with at least two variations on the “Push levers which affect other levers, making sure they all go up/down” puzzle, a couple of jigsaws, and the lever push’s annoying cousin, “Three dials that go round and, bee tee dubs, affect each other. Good luck aligning them in patterns you may or may not have seen somewhere!”

This is the emotion portrayed throughout the conversation. Note also that that’s a webcam wig. You can tell because of the odd movements compared to the head.

The game attempts to experiment, with FMV actors over the usual fare of mixed 2d/3d scenes. This would be interesting, if a) They had something worth saying, and b) The actors weren’t asked, for some bizarre reason, to mostly just portray a single emotion, maybe two (Sometimes none!), with little to no relation to what is being said, or how it’s being said. The story is paper thin, even for a HOPA, and it can basically be summed up as Hero’s Journey Lite. “Get McGuffin, Beat Evil Master, and also solve the fiendish mysteri-” Oh, wait, we already covered those mysteries, didn’t we? They’re fiendish, alright, but not in the way you’d like.

HOPA fans will find the hidden object annoyances frustrating, Adventure game fans will not be sustained by the story, the acting (Voice or otherwise), and both will be annoyed by the inventory puzzles. This is one of those times I can’t recommend a game to anybody except those of us who look at games to see what the hell went wrong. And that makes me sad.

The Mad Welshman checked his pockets and sighed. He’d left his keys at home, and would have to solve a jigsaw puzzle, find a crowbar in among 11 other objects, break some planks, find some nails and a hammer (One of which was behind a colour matching lock), and build a ladder to get back in. Just another day, he sighed, as a Ghoul engaged him in conversation at the bus stop.

Filed under: Game Reviews by admin

Become a Patron!