Source: Cashmoneys
Price: £3.99
Where To Get It: Steam

I like me some Metroidvanias. I do love me some lo-fi pixels. And so, Grizzland immediately caught my interest, because it is, essentially, a short Metroidvania, with lo-fi pixels, that still has encounters, boss fights, and challenge.

Maybe a little too much challenge at some times… But what the hey, checkpoints are mostly reasonable, so I’m not too irritable with that.

In any case, Grizzland’s premise starts out simple. It’s a fantastic world into which you’ve somehow teleported, except… Not all is as clear cut as it seems, from the very first journal you find. Wait, landed? Computer? Buddy, I’m swinging a sword and there are magicians with giant triangles comin’ at me, what is this gobbledegook?

Well, it quickly turns out that someone did land here, destroying the trees as they went toward the centre of the world, and, considering there’s only 5 of them, and they’re sentient? Well, that’s deep trouble indeed… Away we gooooo (to save the day)

Now, one thing that should be made clear is that enemy routines, combined with the fact that very little can be slain in one swing, make combat more difficult than you’d expect. Whether it’s the bats, who wake up, and mercilessly chase you, but retreat on the first blow far enough that you may have difficulty getting the three hits you need in before they hit you, or enemies which revenge fire when hit, it’s something to consider about the game’s difficulty.

Happily, I can say I’ve enjoyed my time with Grizzland. The world is basic, but the journals, some of its stranger (1-bit) enemies help bring some oddity, as do the secrets, which are sometimes… Quite amusing. As the first you find states: Not everything has to make sense.

So yes, overall, there’s a solid attention to a consistent style, there’s some good chiptunes and sound effects, and, as a short Metroidvania, it can still pretty easily eat up an hour or four of your life (more if you’re looking for eeeeeverything. Which I am.) Reasonably priced to boot, I would definitely recommend Grizzland.

The Mad Welshman would probably also go on a quest of sword swinging if he found people uprooting trees. He’s very pro tree.

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Source: Cashmoneys
Price: £23.79 (Soundtrack £6.79)
Where To Get It: Steam

Fighting games are sometimes difficult to learn. Sometimes, they’re also difficult to master. But sometimes, as in Fantasy Strike, they’re mainly difficult to master. Which I appreciate, even if a tutorial before you can even change the window settings is not something I appreciate. Still, let’s talk Fantasy Strike.

The philosophy behind Fantasy Strike’s fighting shenanigans is twofold: Firstly, to make a more accessible fighting game. But secondly, the game is all about David Sirlin’s favourite part of fighting games: Yomi.

It’s got multiple potential meanings, even in fighting games, but, essentially, the idea is that high level play involves reading your opponent well, so that you can adapt your strategies on the fly, be that conditioning your opponent into certain reactions (that you then punish with a different moveset), or simply knowing that an opponent likes a certain pattern, then punishing them for using it (It can go many ways, as you can see.) So, how does it do this? Well, multiple ways.

Firstly, there are a total of six buttons: One for light, one for heavy, two for specials, one for throwing, one for jump, and one for super moves. Also there is no crouching. Okay, that’s a relatively simple set up, especially since many characters don’t really have the need for both specials (although directional inputs change a fair few moves, as do, obviously, jumps.) There’s also a more limited health bar that gets chipped away if you block three attacks consecutively (some moves do double damage, such as Midori’s Dragon Throw, but most either deal one, or combo, so blocking it is effectively one damage, or two for not blocking.) It’s still somewhat twitchy, requiring good reactions and not button mashing to win the day, but that is, honestly, not bad. Enemies also flash various colours for invincibility frames (white), throws (blue), and special throws requiring a jump prompt to escape (green.) That still requires good reactions, but it is helpful.

Secondly, beyond the things that you normally do with the concept of Yomi (pattern punishes, baiting, jump cancels, etcetera), there is the concept of the Yomi Counter. Somebody wants to throw you, and normally this is tough to counter, but in Fantasy Strike, the way you counter it is by… Doing absolutely nothing. Not moving, not punching… Just very briefly letting go of the controls. In practice, this is something that still requires mastering the specific reaction needs of Fantasy Strike, but the mechanical theory, at least, is clever.

Finally, the game lets you know what kind of character you’re playing, and, like other fighting games, allows you to see the moveset. “Wild Card”, alas, is a needlessly nebulous term, as the two fighters in this category, DeGrey and Lum, still have overlap with other categories. Lum is a sort of zoner in practice with random items as his special, while DeGrey is a sort of meld of grappler (slow-ish, but hard hitting), and “doll” fighter, with his ghost friend being a ranged grapple. But the other categories of zoner (specialises in controlling the battlefield in some fashion, and making areas of the battlefield dangerous. By the way, no crouch means projectiles are more dangerous), rushdown (relying on getting in someone’s face and comboing them with mixups (different attacks to different areas) to murderise them), and grappler (You hit hard, are slow, and mostly rely on throws) make sense. The majority category, by the way, are zoners, giving you some idea of the priorities here.

Aesthetically, the game is honestly not bad at all. The characters are interesting visually, and you get a rough idea of what they can do by their look, the stages are lovely, and the music, while a little generic at times, is fitting and doesn’t steal the limelight. The voicework, on the other hand, is variable. Yes, I get that Valerie is a “Manic Painter”, but that isn’t always full ham, buds. And she is full ham. Which is a shame, because she’s my personal favourite. Similarly, the writing of Arcade Mode is… Well, it’s a little like earlyish fighting games (we’re talking Darkstalkers era more than original Stret Fighter), in that the plots are mostly silly, and told via beginning and end cutscenes. Although Valerie’s does start on a dark note, as her lady love is carted away by the oppressive government of the world that… Doesn’t really get that prominent a story role, to be honest? So, while there’s some queer rep, the cast is, honestly, pretty white as far as it goes, so it doesn’t really win any points for diverse representation overall.

I’ve already mentioned my main gripe (the tutorial being right at the beginning, rather than, say, a prompt before playing your first game that then allows you to change your options before play), and I will also mention that online requires a separate signup (Something I know some people aren’t a big fan of), but, overall? It isn’t a bad game, although I will say that the limited character roster is, considering the price, also a potential turn off. Finally, I’ll mention that yes, pro players will still kick your ass until you master things, with it being more to do with pattern recognition and timing than that and a hefty moveset. Otherwise, it honestly does most of what it sets out to do, isn’t a bad fighting game, and I found myself having an okay time with it, despite being normally bad and frustrated at fighting games.

The Mad Welshman dislikes explaining a lot, but, with fighting games, it’s kiiiinda necessary. There’s a lot of terms that only exist in fighting games.

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Source: Cashmoneys
Price: £5.79
Where To Get It: Steam
Other Reviews: Release

Running a dungeon is, as we’ve seen multiple times in the thematic genre that is Dungeon Management (be it RTS, management sim, or some variety of adventure game), quite tough. There’s always those pesky murderhobos out to kill your monsters, raid your gold hoard, and ruin your plans for world domination, because apparently they’re the kind of jerks who don’t want the world to be under your totes-gentle-honest hand… Adventurers are such assholes.

Unfortunately for Abyss Manager, it’s also currently a slow descent into hell to play. It is, on the one hand, turn based, so it gives you, in a sense, plenty of time to decide things. However, you are almost constantly assailed by adventurers, meaning that your two main considerations are “Where can I put my exhausted staff to productively recuperate their stamina?” and “Ohgod, who can I pull from one kind of work to fight this set of beefy bastards of various races?”

Progression in the game is, essentially, over grindy on Normal difficulty, with buildings costing many, many turns worth of work, tournaments between the various dungeon masters that totally aren’t mandatory… If you like having Prestige and Sponsorship for your dungeon, that is, and always, always, the choice between spending what renown you have (for lo, Altars don’t regenerate renown all that well), and whether swapping someone out will be worth the 20 stamina lost for retreating mid battle to be replaced, or if they can soooomehow survive the next turn, to make it slightly less painful to do so.

Finally, on the gripes, the game doesn’t tell you a whole lot. Oh, it has tooltips, but tutorialisation is thin on the ground, and tooltips can only take you so far. So, that’s the gripes over with… What’s enjoyable?

Well, the sound effects and pixel aesthetic are alright, and a research tree which costs more the more you research (but can be researched in several different directions) is an alright idea. There’s a fair few races, lots of skills, exploration of the world… The problem being that aforementioned “Oh hey, you can’t do a lot of it a lot of the time, because you’re being assailed a whole hell of a lot, and you’re playing the stamina shuffle constantly (with the added annoyance that exploration and matches take several turns to complete, leaving you relatively open to attacks)

While Abyss Manager does have some interesting ideas, hot damn, it really needs to cut down on that grind, maybe explain things a little better, before I could really recommend it.

The Mad Welshman does, however, appreciate that running a lair is hard. His imps absolutely refuse to help with the dishes, for example.

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Source: Free because I had both games on release 😛
Price: £6.99 (or £17.98 for both this and 60 Parsecs)
Where To Get It: Steam

I had, in the past, quite enjoyed 60 Parsecs, the 50s themed science fiction sequel to this game, so, when I’d heard 60 Seconds was getting a remaster of sorts, I thought: Good golly, I can have a jolly old time with a quite literal nuclear family, radiation sickness, marauders, and all!

And, as I expected, I’ve been having a mostly good time with the remaster or 60 Seconds. After all, I came in with the expectation I wouldn’t survive for a long time, just build up an interesting collection of events before the family’s inevitable demise. In retrospect, I maybe should have gotten more soup. More soup is important.

RIP the nuclear family, who never had enough rich, nutritios tomato soup that claims to last for 763 years (It probably wouldn’t. But it would at least survive long enough for us to eat it.)

In any case, 60 seconds is a game of two parts, both of which you can play separately for practice. In the first, you’re rushing around your home, with 60 seconds to get as much as you can for your shelter, including family members, and then… The days go by. You go on expeditions, try to deal with problems, and keep your family hale and hearty, because if everyone’s too sick to go out, or dead, or starved… Well, you didn’t survive. Your eventual goal is to be rescued by the military, but, partly because events are random, and you’ll never know quite what you need for your particular run, and partly because the military is slow as heck to get things going, it is, as you might guess, unsurprisingly difficult.

Now, one thing that remains slightly jarring about 60 Seconds Reatomized is the difference in styles. For the majority of the game, it’s 2D and cartoonish, wonderfully so. But for the actual gathering of supplies, it’s 3D, and, not gonna lie, I would have enjoyed the style being consistent, as it is in 60 Parsecs, more. But I respect that they stuck with that decision, at the very least. It is, overall, aesthetically pleasing, with everything except the collection being very clear (the 3D portion is, as part of that gripe, less so), the music sticking to that 50s style, and fitting sound effects that warn you what type of event is coming, or when someone comes back, about five to ten seconds before you see it for yourself, and the writing remains amusing for many of the events.

If I had any other gripes, it would be that the tutorial is very slow paced, but that, honestly, is a one time thing, so it is a minor gripe. Otherwise… Well, I expected exactly what I got, considering I’d reviewed the sequel beforehand: A fun, easy to learn, but difficult to master survival game, with adjustable difficulty (always nice), and solid writing and aesthetics. If you enjoyed 60 Parsecs, and hadn’t gotten 60 Seconds, the Reatomized is a good purchase… If you don’t already have it.

The Mad Welshman would, also, probably not survive a nuclear apocalypse. His mutated bones, however, would probably have a whale of a time.

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Source: Cashmoneys
Price: £7.19
Where To Get It: Steam

Way back, in the mists of time, I used to play a wee game called Marble Madness. Good lord, it was frustrating, and was my first experience with a trackball. Many twenty-pences were lost, and, honestly, I never finished it. But hot dang if I had a love-hate relationship with that marble. Loved the idea, hated the levels.

The years have been somewhat kind to marble based racing games, thankfully, and, while Marble Skies is somewhat minimalistic, it’s also got its charm. It’s also got… Some demoralising best times. We’ll come back to those.

Okay, let’s back up. Effectively, Marble Skies involves, as most marble games do, controlling an unruly, heavy marble along an obstacle course (sometimes needing to collect gems, sometimes merely needing to get to the exit) as quickly as possible, without dying. Want to get in among the speedrunners? Well, prepare to get acquainted with this marble’s physics, and jump segments of the course. Lots of them. Hell, at first, I doubted the current leaderboard times, but then I managed to get close enough to see how it could be done on a couple of levels. (I still doubt some of them, though, to be honest. But much fewer than I did…)

Aesthetically, like I said, the game is minimalist. It uses Unreal’s glows and gloss fairly well, but what it treasures more over looking pretty is clarity. Simple menus, clear differentiation of features.. The worst I could say, aesthetically, is that the music is rare, and that some of the main features are not really very clear (like jumps or gravity switches.) The sound of the rolling ball is nice, as well, and customisation is alright, all using points earned via play.

Mainly, the biggest turnoff for folks will probably be an actual feature, in that glass balls are actually quite heavy, and turn, generally speaking, like a heavy thing that rolls easily. They also bounce quite a bit, and so, quite a few times in trying to get a quicker time, all I’ve done is bounce into oblivion, and hit the restart button with a gusty sigh (as dying during a run will not reset your time, presumably for speedrunners who want to be faithful with their times to complete) The level design does ramp up moderately quickly (By the time gravity switches got introduced, near the end of the beginner levels, I was sweating), so I honestly wouldn’t say this was a beginner’s marble rolling game, but the level layouts are interesting and sometimes pretty cool.

Finally, there’s a mini golf mode, and, honestly, this is the weakest feature. It’s an alright mini golf game, if you like golfing with marbles, but, not gonna lie, marbles or other glass balls would not be my first choice of ball, and the control scheme for it is fiddly (hold left, then mouse up and down for power, mouse left and right for direction. Release to fire.)

Overall, then, Marble Skies is mostly a “Does what it says on the tin” release. For fans of marble puzzle racers, it’s an enjoyable one, but it’s not really going to bring anyone who’s on the fence into liking this style of game.

The Mad Welshman was, alas, too young for marbles in the playground to be a serious thing. I mean, Pogs, sure. But not marbles.

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