The Sealed Ampoule (Going Back)

Source: Cashmoneys
Price: £15.49 (Soundtrack £3.99)
Where to Get It: Steam

See, sometimes, you see an idea, you think “Hey, this is cool!” and then… Oh. Hrm. Ah. Not quite as cool in execution.

So it is with The Sealed Ampoule. It’s a very minimalist procgen dungeon crawler. So minimalist, in fact, that it doesn’t gel well with its length. The procedure is very simple. Go into dungeon. Hit things until you feel you aren’t going to survive the next level, go back to room. Use stuff you got in the dungeon to get skills, level up the dungeon’s drop rate and magic circle rate for each level. When you get the ability and have the resources, turn dungeon levels into farms, just dropping the drops. Find story every now and again, or resources to turn more dungeon levels into farms. Rinse, repeat.

Remember these polygons well, for they are the ENEMY. Defeat them, and gain their resources!

I will say this for this set of mechanics, it does cut down on the bumf you’re overlevelled for. I mean, I’m still somewhat overlevelled at any given point beyond the early game, although I suspect that changes the further in you go, but yes, turning the earliest levels into, eventually, a single level you just run through and collect resources from? This is a piece of legitimately good design.

But the rest? Well, as I mention, it’s basically a rinse and repeat. Skills drop once every five levels or so, although those, like the progress toward dungeon farms, require specific materials, dying loses you some resources, and… Well, it boils down to a blur of grind, occasionally interspersed with “Oh, new enem- FUCK, RUN!”, story, or a boss.

The story, similarly, is simple, although it has its compelling mysteries. You play as Irene, who has been depressed since her mother died, but found an advert for a cheap dungeon, and decided to turn it into an alchemy farm, so as to open a shop, make lots of money… And then she finds out that it’s more populated than it first appears, including two small and mysterious children, and… A man who has been bludgeoned to death by nothing less than The Philosopher’s Stone. It’s just that said story progresses in short cutscenes that are… Well, an increasing number of dungeon levels from where you were, even accounting for farms.

The Uncanny Valley Twins.

And finally, there are the aesthetics. Again, it’s minimalist. A few music tracks, that mostly fit the mood, but still feel off, and a few sound effects, generally around two per enemy, sometimes shared between groups. A low poly look that normally, I’d be down for, but feels like a waste of enemy design, and hits the uncanny valley in the case of Irene, whose mouth never seems to work right, and whose movement is… Well, speaking frankly, Irene’s animations are godawful. All five or so.

Otherwise, the accessibility is just fine. The menus are clear, albeit with calligraphic and serif text, you have a helpful toolbar about the status effects you know, and, with the exception of floating numbers for regeneration, nothing’s too small to distinguish. Starts in windowed mode, keys are simple, but options to change things are sparse, and there doesn’t appear to be any gamepad support.

It’s honestly disappointing, because you can see hints of what the developers were going for, but a lot of it just falls flat. If you want a time waster, then yes, this is alright, but otherwise, I can’t really recommend it.

The Mad Welshman loves games of alchemy. He just finds so few of them FUN.

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Potion Explosion (Review)

Source: Cashmoneys
Price: £5.19 (£2.89 for DLC)
Where to Get It: Steam

My god… Actual windowed modes in a tabletop adaptation? Blessed be!

And yes, I shouldn’t be getting excited because this should be bloody normal… But it’s not as common as I would like. Anyway…

This professor… I’ve actually had one like that before. Alas, it wasn’t a potions class… English Lang/Lit, if I recall correctly…

Potion Explosion is an adaptation of the tabletop game of the same name, and… Well, due to its nature, I feel like it works better as a digital adaptation, even if the tabletop version is undeniably quite pretty. You see, it’s a game in which you’re collecting marbles containing potion ingredients, but, importantly, if a potion of the same ingredient colour as the one below your chosen marble falls, well, all of that colour then get collected, which can then chain. Using these ingredients, you can, as the game implies, make potions for points. Make five different potions? Get a merit badge. Make three of the same kind of potion? Get a merit badge. The combination of merit badges and points then decides what place you are… But there can only be one teacher’s pet for Albedus Humblescore (Yes, the boardgame was made during this period.)

Visually, it’s pretty damn clear. Even the tabletop game was clear, with four clearly differentiated colours of marbles, but in the digital adaptation, they add symbols in too. Moons (black), Fire (red), Water (blue) and Star (Yellow.) There’s DLC which adds extra rules and a fifth potion element, but that’s another beast entirely, so… Brownie points for accessibility.

Unsurprisingly, I win.

Musically, well, it’s a bit limited, but it isn’t unpleasant, and that’s about all I can say about that.

Overall? I’m okay with Potion Explosion. It’s a good adaptation of the tabletop game that plays to the strength of a digital format, the tabletop game was fun to play with friends, and I have no doubt this one is too. Oh, and for folks like me who prefer to play alone, yes, there is a Versus AI mode, with varying levels of difficulty.

So, a fairly warm recommendation from the Welshman.

The Mad Welshman loves making potions. His family, however, do not, ever since his childhood thought of “What happens when I mix all the ingredients of an 80s chemistry set into one test tube?”

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2000 to 1: A Space Felony (Going Back)

Source: Charity Bundle
Price: Name Your Own
Where To Get It: Itch.io

Ah, I do love a good murder mystery. I love gathering the evidence, presenting it, drawing conclusions… But y’know what I don’t love?

Not-twists. Now, not-twists come in several flavours, but one of the most common ones is a twist that is not foreshadowed in any way, shape, or form.

Every time you present evidence or collect it, this, err… Gentleman repeats your testimony on the case.

Why is this relevant? Well, we’ll get to that. First, let’s get another thing clear: This is an alright game of its genre, with relatively few statements to untangle, a fair amount of evidence to poke at, has simple controls, a nice accessibility feature in the form of the option of glowing evidence points (with obvious interactions being obvious), and can be solved in less than an hour, if you’re so inclined or already know how to solve it. Since you’re in a spacesuit, you can rotate and the like, so some motion sick folks might dislike it, and, as far as I’m aware, there’s no windowed mode or resolution changes (BOO), but this is a lesser complaint.

It even has an interesting variation on the deaths in 2001: A Space Odyssey, on which it is very obviously based (C’mon, folks, at least say it’s an homage in the game, not a tongue in cheek “This totes isn’t based on a work by a handsome and talented writer.” The latter half being a claim I dispute anyway. I won’t spoil them, but rather than the relatively simple deaths of 2001, they’re more malevolent. Although one of them is a bit iffy. MAL, old buddy, you can see through the entire ship, how would you not know about that one?

Spacer, do you know what Clemenceau once said about AI?

So, aesthetically, it works well with its low poly style. It even has some tongue in cheek references, like the helmet of one of the crew being held in their arm, as they copy the pose of T. J. Kong from Dr. Strangelove. The music pays homage to the use of classical music in 2001, the writing is mostly solid…

Except for the not-twist. For the obvious reason that this isn’t foreshadowed, you’ll play through the game and… Wait, what? Only by doing something slightly different will this ending change. And, honestly, it’s a bit of a crap ending.

So, if you’re fine with a crap ending, preferring to focus on the gathering of evidence, the asking about evidence, and the presenting thereof, well, this is a solid short game. But if not-twists piss you off as much as they do me, then I can’t really recommend it.

The Mad Welshman eagerly awaits our AI overlords. Except not, because they’ll be capitalist bastards.

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Swarm The City (Demo Review)

Source: Review Copy (?)
Price: The actual game isn’t out yet.
Where to Wishlist It: Steam

I don’t normally review demos. Early Access, I’m comfortable with, because it’s an ongoing process. It’s fascinating to see how a game evolves (or devolves) as time goes on. But a demo is generally part of a finished product, even if it’s not the whole thing, and even if it’s sometimes different. But I did accept a key, and it’s not a public demo, so…

From relatively small beginnings…

…Take this as a review of the demo, and if any similarities exist between it and the game itself, well, those critiques apply. Otherwise… Well, this is for the demo of a real time strategy game about being an unseen dark overlord released in the modern day, unleashing your undead hordes to once again cover the world in darkness. Solid concept.

That said, it’s a rocky start when you have a slow loading time, and the quit, join the discord, and version number all blurred out by your filter. It loses that fuzziness once you hit that “start the game” (get to the main menu) button, and you get to make the game windowed from that point on, but… First impressions matter.

After that? Well, it was only the first chapter, but I can say it was… Okay. The UI is minimalist, although it could maybe do with some tooltipping, but this works. The (unskippable) text crawl at the beginning was sans-serif, which is a solid accessibility choice, as is the rest of the text, some of the icons are small, and it’s unclear at first that you have to go to the side of the skill button to level something up, but the basic concept is solid, and the visual aesthetic overall is the low poly good shit that I enjoy, animated fairly well. Musically, it was a bit sparse, and I’m genuinely uncertain how much playtime the other two chapters in the main game would offer, but…

To a full blown crisis thanks to a slow response from… Wait, shit, pretend I didn’t say that…

It’s okay. I have as many “hrm…” moments as I had “Ah!” moments, such as how you can play pretty tactically, but also the “move here” command doesn’t scroll along at the edge of the screen, which fixes you to a relatively short range in the larger maps… The demo, at least, seems solid for fans of relatively simple real time strategy that nonetheless has some layers to it, but, as I mentioned, I can’t speak for the rest of the game.

The Mad Welshman would like to pick your brains on this one…

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Sex And The Furry Titty (NSFW Review)

Source: Cashmoneys
Price: £4.79
Where to Get It: Steam

Content warnings: oral, masturbation

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