Source: Cashmoneys
Price: £34.99
Where To Get It: Steam

Obligatory “Oh look, it has Denuvo” warning.

Ah, doesn’t Team Sonic Racing look pretty? Aren’t its tracks interesting, and its soundtrack gorgeous butt rock of the type we’ve come to love and expect? Solid voice acting, and a typically Sonic story with fourth wall breaking and silliness? Golly gee, this would normally make for a very positive review, wouldn’t it?

Exceeept… Team Sonic Racing, to me, feels like a case of “You had one job.” Because the racing… Is somewhat painful.

Not the team aspect. That was actually quite interesting and cool. After all, encouraging co-operation in a team racer is a good thing, and this, it does quite well, by giving benefits to those who slipstream each other, give each other little nudges forward, weapon boxes when they ask for them (The person heavily in first place rarely needs them, after all), and even for agreeing to use Team Ultimate at the same time. That is legitmately cool, so props where props are due.

No. It’s the rest of it. Let’s start with this whole drifting thing. If your drifting is painful, on both mouse and keyboard (and it was for me), then maybe, just maybe, it’s not a good idea to so heavily emphasise it. Or make it the star ability behind both the “collect things” challenge types that exist. Overall steering is, honestly, not terrible (not great, but not terrible), but, since the track design also has things for which a simple turn doesn’t suffice, er… That drifting is required. The same drifting that so badly gelled with me. Joy. It doesn’t help that the drift boost is… Disappointing, compared to the headliner team mechanics.

And then… Customisation. Normally, I am a beast for customisation in racing games. I love me new parts. But when firstly, said customisation is based on gacha (That’s random drops, ala lootboxes), and there are a total of three parts of Speed, Technique, and Power type, along with gold versions of the exact same powerups… Well, that’s somewhat dull, especially as their boosts and maluses are… Middling, at best, not significantly changing play.

As noted, on an aesthetic level, it works just fine. Most things are clear (The only thing I didn’t find too clear was the quicksand v track segment of one track, but overall, it’s bright, with solid readability and good value shifts for clarity), the designs work well, and the music and VO are good, solid stuff. But this is, unfortunately, an at best passable racing game. At worst, its drift’n’collect stages are frustrating, and the online play… Well, it isn’t great. The ending animations become unskippable (and they are slow), reports come in of matchmaking problems…

…Overall, TMW has definitely seen better kart racing. TMW has definitely seen better racing games overall. And this is a shame, because an otherwise glittering core element, and an otherwise shiny exterior sandwiches… Well, blandness and some irritation.

It is The Mad Welshman’s sad duty is to inform you that no, you do not, in fact, go that fast here.

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Source: Cashmoneys
Price: £5.79
Where to Get It: Steam

Time loops. A poorly understood phenomenon, with many potential dangers. Do folks remember their time looping? Is it really ethical to kick off a time loop? Why would you kick off a time loop? And, let’s be fair here… Why Monday?

Such is the story behind Alt Frequencies, in which a dystopian government has ensured it’s always Monday. Why? That’s… Not terribly clear. Something about controlling the masses by always having the same things to deal with? Nonetheless, a small resistance has worked out that it is, in fact, always Monday, and are asking you to fight, with the power of recording and sending radio clips.

Alt-Frequencies is, on the accessibility front, mostly good. It’s audio based, but with closed captioning and screen reading, it’s visually very clear, and so, it’s relatively easy to play: So long as you remembered your keybinds. Because it doesn’t prompt you with them. So if you, say, started the game without looking at the keybinds, well… That mandatory tutorial is suddenly a little more frustrating.

But where it, alas, becomes more frustrating is that it is not always very clear what has progressed things, and that, when it progresses… Well, it goes so quickly, that its plot beats don’t really land. Or end up contradicting themselves. Oh look, the journalist on the mainstream news station suddenly thinks those not affected by the memory aspect of the time loop are terrorists. Were they gotten to, since they remember the loop? Not clear. And no, it’s not really explained why the government are doing this. So…

All this, is, honestly, a shame. It’s a good idea, mixed with some good accessibility features that are baked in, and yet… It doesn’t stick the landing, and there’s not a whole lot else I can say beyond that. The voice acting varies from solid to slightly hammy, and some characters are well written (The obnoxious Talk.FM, guy, for example, is exactly as obnoxious as intended), but when the core writing isn’t so solid? Well, that makes it less enjoyable.

Fans of experimental idea may like this one, but, unfortunately, it bounced off me, and I can’t really recommend it.

The Mad Welshman wasn’t sure what was more infuriating about reviewing this: Avoiding heavy spoilers, or trying to list the plot threads that just suddenly cut off in his head while doing so…

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Source: Cashmoneys
Price: £9.99
Where to Get It: Steam

It is an oft-spoken truth that adventurers are in the biz to look fly. Well, secondary to the concern of being as murderous as humanly possible in the pursuit of loot and monsters, but yes, looking good while doing so is definitely a priority.

And Swag and Sorcery aptly demonstrates what hard, thankless grind this can be with its fashion obsessed kingdom, out to find a long-lost magical, kingly costume, and look swag as heck while doing so.

Oh, and there’s some dork trying to tear the kingdom down. I guess he’s kind of in the way, along with his summons. Something about thinking that the King relying on a magic suit his grandfather had to solve the Kingdom’s woes…

Swag and Sorcery, overall, is an idle RPG with crafting elements. Send your adventurers out into the wild (occasionally returning them to town so you get some loot, instead of no loot at all and an annoyed adventurer waiting to heal), get ingredients and money, and then throw those ingredients and money into the adventure supplying industries, so you can do that first bit all over again. And again. And again. Until you beat a boss, at which point, you get more areas to look at, unlock more ingredients for more recipes and…

…Look, it’s enjoyable with a certain mindset. Wanting to discover what new thing you encounter, what new costumes you get, and whether this time, this time, that damn priest judge won’t vote a 9 on that awful pumpkin number. I mean, it’s summer, pumpkin is fall, you ecclesiastical blunderer! There is, to be fair, a lot of this adventuring industry: Alchemy to make some rare ingredients and get mana for spells (used to help adventuring parties in trouble), smiths and carpenters to sort equipment, clothiers to help the wizarding types… All manned by… The same adventurers you’re hiring to clean out the dungeons. Heck, even sending multiple adventuring groups out at once is a thing you can quickly do.

Aesthetically, Swag and Sorcery is not bad at all. Good, clear pixel art, you know what things are, the music’s nice, and the roles that are voice acted are amusingly hammy. Which fits with the game’s silliness, so… Appreciated. Sure, some monsters are a little generic, but the majority are something interesting. Ghouls in this game, for example, are armoured murderbeasts, and the Infected are dead, weeping eyed humans who have been melded to what appears to be giant spikey crab legs.

But yes, Swag and Sorcery is all about, as with most idle type deals, getting bigger numbers, so you can hit bigger numbers, which gets you bigger numbers. Sometimes those numbers aren’t quite big enough, so you have to grind on the smaller numbers until you can get bigger numbers (or grind on the bigger numbers hoping to get something out of it while other numbers get lower.) And… It’s not unenjoyable, it definitely has its high points, but… Sadly, I’m not really of the mindset to properly enjoy it.

The Mad Welshman already ground out his reviewing stat this month. More grinding is… Inadvisable for him.

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Source: Cashmoneys
Price: £14.99
Where to Get It: Steam

Forager is one of those games which blurs the line a little bit. Specifically, between a survival RPG… And an idle game. I’ve actually had some arguments, over the past month, as to whether this label really applies. “But Jamie, you do things. You walk around.”

Yes. And a lot of that walking around is so you can find the thing that popped up. To hit the thing. To get more of a thing. So you can make more of the other thing to get more things overall. Everything in Forager is in service to opening up more Forager. And a lot of that time is either clicking on things (To mine them, to kill them, or to solve the odd puzzle), or waiting for things.

Like I said, it blurs the line, because while other survival games and RPGs have precisely this… Even the skill tree is basically “Unlock more things to do.” Ah, now you can mine this metal. Now you can make better mining things. Now you can get more gold when you make gold.

Does that make Forager unenjoyable? Not precisely, it definitely does interesting things. But it really does seem to be enjoyed more if you approach it from an idle-game viewpoint than an RPG viewpoint. Exploration? Well, occasionally you get that, but more often, it’s bam, one puzzle or NPC fetch quest chain, and what’s left is farming, mining, and harvesting. Story? Again, somewhat, but it’s relatively minimal, and in service to… Opening up more mining, farming, and harvesting. It has a hunger meter, it’s true, and a health meter, but rarely are either threatened. The real threat, honestly, is that you hit a progression lull.

See, there’s never a lack of things to do, or things to watch. In fact, quite the opposite, as, quickly, you have inventory management, and meters to watch, and things to make, and things to harvest, and now, because you want to make this special thing, you have more things to harvest, and make, and… It can get overwhelming, with the feeling that you’re running in place while not doing very much (Much like a lull in… An idle game.)

Still, the rate of progression, to an extent, depends on how you want it to progress. I’ve seen folks try single island challenges, and others (like me) try desperately to see everything there is in the game, buying islands as soon as they can, levelling as best they can (Levelling is done by just doing things, but, as you might expect, it gets slower the further you go), and that self goal setting is a nice way to approach this.

Anyway, as noted, Forager seems to be most enjoyable when played from an idle, as opposed to RPG perspective, and that’s just fine. I am a little annoyed that the option to quit is hidden in options, but other reviewers have noted this, and it hasn’t changed, so I guess it stays.

This review took one reviewer, two word processors, five computers, and a sharp stick to make. Only the sharp stick was a base component.

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Source: Cashmoneys
Price: £9.99
Where To Get It: Steam

Ah, the 16^th Century. Such a wondrous age, full of poets, of doctors finally starting to learn what the heck they’re on about, and, of course, the Plague. It is a wondrous age to which our dear leaders wish us to return, in the hope that perhaps the Empire might also coincidentally rise again.

Speaking of quacks… Astrologaster is a comedic tragedy, in the form of speechcraft and song (Often Madrigals) about a “Doctor” who used Astrology as his form of diagnosis, one Simon Forman. And, to be fair, he is a fitting subject, for he was tangenitally involved with… Well, a lot of London life of the period. The game takes liberties, but it does so to introduce quite a few other major players of the period, such as Sir Walter Raleigh’s circle, the Dean of Rochester, Thomas Blague (and his wife Alice), and Emilia Lanier, a poet, and suspected to have been the Dark Lady of William Shakespeare’s sonnets 127-154.

Yes, knowing this period of history helps with some of the jokes. But by no means all, for nearly everyone is mercilessly riffed on, excepting some folks whose lives… Really didn’t deserve that much mockery. In any case, a fair warning, the game does end rather suddenly, and the reason for this is that the good “Doctor” ended… Rather suddenly. But the aim is, through astrology (Or, more accurately, through a cunning combination of actually divining what’s wrong, and telling people what they want to hear), to diagnose folks’ complaints.

It’s very clear, in the sense that you know what’s what, even if the diagnoses are sometimes… Difficult, and the picturebook aesthetic works well. Where it really shines, though, is the aforementioned voice acting and singing. Jo Ashe does an excellent job of playing concerned wife Emma Sharpe (how do her older husbands keep dying on her?), for example, and the songs about Thomas Blague are wonderful examples of a new musical art form I would like to call “Getting owned by the Church Chorus.”

It’s… Honestly kind of hard to write about the charm of Astrologaster without either going on a history lecture, spoiling the results of some choices, or both, but… History buffs will get several laughs (and knowing nods), most folks will have a charming experience and quite a few laughs, and, overall… Yup, I like Astrologaster.

I cannot really Madrigal, but Iamb good with that Pentameter. Honest.

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